Most played on DoReSol
Essential songs
Que no te haga bobo Jacobo
¿Dónde jugarán las niñas? · 1997
Molotov Coktail Party
¿Dónde jugarán las niñas? · 1997
Voto latino
¿Dónde jugarán las niñas? · 1997
Chinga tu madre
¿Dónde jugarán las niñas? · 1997
Gimme tha Power
¿Dónde jugarán las niñas? · 1997
Mátate Teté
¿Dónde jugarán las niñas? · 1997
Más vale cholo
¿Dónde jugarán las niñas? · 1997
Use It or Lose It
¿Dónde jugarán las niñas? · 1997
Puto
¿Dónde jugarán las niñas? · 1997
¿Por qué no te haces para allá?… al más allá
¿Dónde jugarán las niñas? · 1997
3 album|s · 1997 — 2002
Full discography
Details, awards, members and more
More about Molotov
Biography
What began as an act of rebellion became a phenomenon. The album didn’t just dominate charts in Mexico—it crossed borders, reaching the United States, Chile, Spain, and Argentina, where they performed at the Surco Fest Concert in 1998. In the U.S., outlets like The New York Times ranked it among the best of 1998, and in Spain, Gimme The Power topped radio charts. Even in Germany and Japan, they found audiences—a rarity for a Spanish-speaking band at the time. Their mix of dark humor, social critique, and unfiltered energy made them unique, but also led to misunderstandings. When Puto was accused of homophobia, the band clarified it was only mocking those who couldn’t let loose at their shows. The response was swift: in Germany, the first concert of their tour ended with the LGBTQ+ crowd crossing their arms in protest.
The impact of ¿Dónde jugarán las niñas? extended beyond music. In 1998, the song Voto Latino became the first Latin rock track to top charts in the U.S., and the album was nominated for a Latin Grammy for Best Latin Rock/Alternative Album. But beyond accolades, what endured was the legacy of a band that played by no one’s rules. Recorded with Gustavo Santaolalla and Aníbal Kerpel at the helm, the album sounded raw, as if each track had been captured in a single take. And in a way, it had: the energy of their live shows seeped into every song. By 1999, they were the only Spanish-language act on the Vans Warped Tour, sharing stages with bands like Deftones. Bass Player magazine declared them in 1998 to have the most powerful bass tone of the decade—but most importantly, they had, unintentionally, redefined what Spanish-language rock could be.
Details
- Born
- 23 Sep 1995
- Country
- 🇲🇽 Mexico
- Genre
- rapcore
The full catalog on DoReSol
All songs
Cerdo
¿Dónde jugarán las niñas? · 1997
Quítate que ma’sturbas (perra arrabalera)
¿Dónde jugarán las niñas? · 1997
No manches mi vida
Apocalypshit · 1999
Karmara
Apocalypshit · 1999
Polkas palabras
Apocalypshit · 1999
Step Off
Apocalypshit · 1999
Apocalypshit
Apocalypshit · 1999
Ñero
Apocalypshit · 1999
Kuleka’s Choice
Apocalypshit · 1999
Rastaman‐dita
Apocalypshit · 1999
Parásito
Apocalypshit · 1999
Exorsimio
Apocalypshit · 1999
Let It Roll
Apocalypshit · 1999
El mundo
Apocalypshit · 1999
Here We Kum
Dance and Dense Denso · 2002
Changüich a la chichona (sic)
Dance and Dense Denso · 2002
No me da mi Navidad (Punketón)
Dance and Dense Denso · 2002
Noko
Dance and Dense Denso · 2002
Frijolero
Dance and Dense Denso · 2002
E. Charles White
Dance and Dense Denso · 2002
Queremos pastel
Dance and Dense Denso · 2002
I’m the One
Dance and Dense Denso · 2002
Nostradamus mucho (Que se caiga el teatro)
Dance and Dense Denso · 2002
Hit Me (Gimme tha Power II)
Dance and Dense Denso · 2002