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🇺🇸 United States · 1941 — present

Joan Baez

The voice of Joan Baez carries a weight that needs no shouting. Since her first recordings in 1960, her way of singing — clean, precise, and full of intention — turned others' songs into personal anthems. She wasn’t just an interpreter: she was a translator of others’ emotions, capable of taking a song by Bob Dylan or Phil Ochs and returning it with an intensity that made it her own. Her repertoire, spanning from traditional ballads to covers of Beatles or Rolling Stones, always bore a distinctive mark: the acoustic guitar as her sole accompaniment in many cases, and a vocal clarity that never got lost in ornamentation. That said, when folk blended with rock or gospel in the 60s and 70s, her sound gained layers without ever losing its core: the song as a tool for change.

But Baez didn’t stop at music. From an early age, her art and activism intertwined. In 1969, at the Woodstock festival, she took the stage fourteen times in a row, and every song — whether a classic like We Shall Overcome or a track by Dylan — carried a political or social message. Her refusal to perform in segregated venues in the southern United States during the 60s wasn’t an isolated gesture but part of a stance she maintained her entire life: music as a bridge between causes and audiences. Even her relationship with Dylan, which inspired songs on both sides, was more than a famous romance; it was an artistic dialogue that helped define an era.

Folk singer-songwriter Americana Country Folk rock 1940s

3 Albums

36 Songs

1,1M Listeners/mo

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East Virginia

Joan Baez · 1960

3:44 02

Silver Dagger

Joan Baez · 1960

2:32 03

El preso número nueve

Joan Baez · 1960

2:48 04

Henry Martin

Joan Baez · 1960

4:15 05

Mary Hamilton

Joan Baez · 1960

5:58 06

Little Moses

Joan Baez · 1960

3:31 07

Rake & Rambling Boy

Joan Baez · 1960

1:59 08

Donna Donna

Joan Baez · 1960

3:15 09

Wildwood Flower

Joan Baez · 1960

2:37 10

All My Trials

Joan Baez · 1960

4:41

The full catalog on DoReSol

All songs

All My Trials

Joan Baez · 1960

Blue Sky

Diamonds & Rust · 1975

Children and All That Jazz

Diamonds & Rust · 1975

Cucurrucucú paloma

Gracias a la vida · 1974

De colores (In Colors)

Gracias a la vida · 1974

Diamonds & Rust

Diamonds & Rust · 1975

Dida

Gracias a la vida

Donna Donna

Joan Baez · 1960

East Virginia

Joan Baez · 1960

El preso número nueve

Joan Baez · 1960

El preso número nueve (Prisoner Number Nine)

Gracias a la vida · 1974

El rossinyol (The Nightingale)

Gracias a la vida · 1974

Esquinazo del guerrillero (Guerilla's Serenade)

Gracias a la vida · 1974

Fare Thee Well (10,000 Miles)

Joan Baez · 1960

Fountain of Sorrow

Diamonds & Rust · 1975

Gracias a la vida (Here's to Life)

Gracias a la vida · 1974

Guantanamera

Gracias a la vida · 1974

Hello in There

Diamonds & Rust · 1975

Henry Martin

Joan Baez · 1960

House of the Rising Sun

Joan Baez · 1960

I Dream of Jeannie / Danny Boy (medley)

Diamonds & Rust · 1975

Jesse

Diamonds & Rust · 1975

John Riley

Joan Baez · 1960

La Llorona (The Weeping Woman)

Gracias a la vida · 1974

Las madres cansadas (All the Weary Mothers of the Earth)

Gracias a la vida · 1974

Little Moses

Joan Baez · 1960

Mary Hamilton

Joan Baez · 1960

Never Dreamed You’d Leave in Summer

Diamonds & Rust · 1975

No nos moverán (We Shall Not Be Moved)

Gracias a la vida · 1974

Paso río (I Pass a River)

Gracias a la vida · 1974

Rake & Rambling Boy

Joan Baez · 1960

Silver Dagger

Joan Baez · 1960

Simple Twist of Fate

Diamonds & Rust · 1975

Te recuerdo Amanda (I Remember You Amanda)

Gracias a la vida · 1974

Wildwood Flower

Joan Baez · 1960

Winds of the Old Days

Diamonds & Rust · 1975

3 album|s · 1960 — 1975

Full discography

1975 ★ Essential

Diamonds & Rust

10 song|s · Folk

1974 ★ Essential

Gracias a la vida

13 song|s · Folk

1960 ★ Essential

Joan Baez

13 song|s · Folk

Details, awards, members and more

More about Joan Baez

Biography

Some of her albums marked milestones not only for their sound but for what they represented. Joan Baez (1960), Joan Baez, Vol. 2 (1961), and Joan Baez in Concert (1962) became gold records in record time, but the most interesting aspect wasn’t commercial success, but how those albums solidified her style: unadorned voices, minimalist arrangements, and lyrics that spoke of justice. Later, in Diamonds & Rust (1975), she explored her own story with songs like the title track, where nostalgia blends with a honesty rarely heard in artists of her stature. And in Gracias a la Vida (1974), she approached Latin American folk with a respect few foreigners achieved at the time. Even in her more recent work, such as Day After Tomorrow (2008), she continued seeking sounds that engaged with the present without betraying her essence. In 2017, her induction into the Rock and Roll Hall of Fame wasn’t an award for a past career, but a recognition of a voice that, for over sixty years, never stopped singing for those without a microphone.