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Joyride 1991
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Joyride

When Roxette was preparing to release their third album, Joyride, in March 1991, they felt the pressure to follow up the success of Look Sharp!. Instead of moving to Los Angeles to work with American producers, the Swedish duo decided to stay home and forge their own sound. They recorded the album over eleven months in Sweden, in places like the Tits & Ass studio in Halmstad, which Per Gessle co-founded in 1984, and EMI studios in Stockholm. Marie Fredriksson joined Gessle after he recorded initial demos, bringing her vision to the material. Despite the intense promotion carried out by the record label EMI, with an investment of nearly two million dollars, Gessle aimed for Joyride to sound like a greatest hits album, capitalizing on the momentum from their participation in the soundtrack for Pretty Woman.

Year
1991
Songs
15
Duration
59 min 9 seg
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15 song|s

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About the album

Joyride, according to DoReSol

The result was an album that connected with both critics and the public. Joyride topped the charts in seven European countries and achieved multi-platinum certifications in several regions. It became one of the best-selling albums of all time in Argentina, Austria, and Germany. From this work, singles were released such as the title track, Fading Like a Flower (Every Time You Leave), The Big L., Spending My Time, and Church of Your Heart. To present the album, Roxette embarked on the "Join the Joyride! Tour", which led them to perform for over 1.7 million people across four continents. By the year 2001, Joyride had already sold over 11 million copies worldwide.

Per Gessle was the main songwriter of the lyrics, and he also handled most of the music. However, there were interesting collaborations: Gessle and Mats Persson co-wrote Spending My Time, (Do You Get) Excited?, and Perfect Day. Marie Fredriksson, for her part, co-wrote the music for Hotblooded and completely composed the ballad Watercolours in the Rain, using lyrics that Gessle had written years earlier. This songwriting dynamic, where Fredriksson put music to Gessle's lyrics, expanded the duo's sonic possibilities, although she herself commented that writing in English was a challenge for her. The album also had a special 30th-anniversary reissue on November 26, 2021.

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