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The Freewheelin' Bob Dylan 1963
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The Freewheelin' Bob Dylan

When Bob Dylan released his second studio album, The Freewheelin' Bob Dylan, in May 1963, he showcased a facet of his songwriting that had not been so evident until then. Unlike his debut record, where only two tracks were his own, on this work eleven of the thirteen songs bear his signature. The sound is anchored in folk, with touches of blues, and was recorded over several sessions between April 1962 and April 1963 at Columbia Records studios in New York. This album was key to making his talent as a songwriter noticed nationally and internationally.

Year
1963
Songs
13
Duration
51 min 10 seg
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13 song|s

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About the album

The Freewheelin' Bob Dylan, according to DoReSol

The record opens with "Blowin' in the Wind", a song that soon became an anthem of the sixties and achieved great popularity thanks to the version by the trio Peter, Paul and Mary. But The Freewheelin' Bob Dylan is much more than a single track. It includes other compositions considered pillars of his repertoire and the folk scene of the time, such as "Girl from the North Country", "Masters of War", "A Hard Rain's a-Gonna Fall", and "Don't Think Twice, It's All Right". Dylan's lyrics explored current topics, such as the civil rights movement and the anxiety surrounding the nuclear threat, but also addressed romantic disappointments and surreal humor.

The story behind this album also reveals interesting aspects. After the limited impact of his first record, some at Columbia Records even referred to Dylan as "Hammond's folly," alluding to John Hammond, who had signed him. However, Hammond defended the artist and bet on the success of his second work. It is said that Dylan's move to an apartment in January 1962 with his then-partner, Suze Rotolo, influenced the depth of his lyrics, especially those with a political and social bent, given her family's commitment to left-wing politics. The relationship with Rotolo is also reflected in the emotional songs of longing and loss that populate the album. The iconic album cover, with Dylan and Rotolo walking down Jones Street in Greenwich Village, captures a moment of that connection.

This work reached number 22 in the United States and, by 1965, was already number one in the United Kingdom. In 2003, Rolling Stone ranked it 97th on its list of the 500 greatest albums of all time. Furthermore, in 2002, it was recognized by the U.S. Library of Congress as one of the first 50 recordings of cultural, historical, or aesthetic importance, and was added to the National Recording Registry.

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