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De bichos y flores 2001
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De bichos y flores

La Vela Puerca recorded De bichos y flores in 2001, an album that smells of Montevideo in summer: sweat, spilled beer, and guitars that sound as if they're playing on the sidewalk. It's not a polished record, but a raw one, with that unrefined air that things have when they're made without time to correct mistakes. The saxophone of Carlos "Coli" Quijano and the trumpet of Alejandro Piccone give it a color that's uncommon in Uruguayan rock, as if they mixed the sound of a murga with that of a garage band. The songs flow between syncopated rhythms and lyrics that speak of characters straight out of a street tale: the old man who never gives up, the prophet no one listens to, the all-seeing eye.

Year
2001
Songs
13
Duration
40 min 52 seg
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About the album

De bichos y flores, according to DoReSol

There's something about this album that reminds you of an era when bands didn't aim to sound perfect, but authentic.What stands out most is how the album is held up by three songs that act as pillars. Potosí, for example, starts with a guitar riff that sounds like a train moving out of sync, and the saxophone enters like an unexpected shout. Mañana has that restless ballad feel, with a bassline that walks confidently and drums that hit as if marking the pace of someone who refuses to stop. And Burbujas is pure contained energy, a track that sounds like a party that begins when everyone is already tired. The album has no filler: every song feels necessary, as if they only wrote what truly came from their hearts.They recorded it in three weeks, using borrowed equipment and without time to polish details.

That's evident in the sound: there's an urgency in the vocals, a disorder that ends up being part of its charm. The album sold enough for the band to keep playing without relying on anyone, and though it never became a massive phenomenon outside Uruguay, it opened doors for audiences in other countries to discover them. They weren't aiming to be the most listened to, but to sound like themselves—and in that, they succeeded.

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