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Urban Hymns 1997
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Urban Hymns

When The Verve set out to record their third album, Urban Hymns, the path was not straightforward. After a breakup in August 1995, the band reunited two weeks later, but without their original guitarist. The songwriting and recording process went through several stages: Richard Ashcroft recorded demos in Bath, Simon Tong joined, there were sessions that didn't pan out with other producers, and even Bernard Butler spent a week with them before going his own way. Finally, in 1996, they returned to Olympic Studios in London. The production was handled by Martin "Youth" Glover and then by engineer Chris Potter. In early 1997, Ashcroft invited Nick McCabe back, who accepted. This led to re-recording several parts to incorporate his guitar, and the sessions extended until May 1997. The result, released on September 29, 1997, under Hut Records, is an album distinguished by its expansive sound, with influences ranging from orchestral rock to psychedelia.

Year
1997
Songs
13
Duration
75 min 51 seg
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13 song|s

Song list

# Title Available

About the album

Urban Hymns, according to DoReSol

From this album emerged songs that resonated strongly. "Bitter Sweet Symphony", the first single released in June 1997, generated debate over its authorship credits due to a sample, but its subsequent use in a Nike advertisement helped give the album visibility. It was followed by "The Drugs Don't Work" in September 1997, which reached number one in the UK, and "Lucky Man" in November 1997. The album was presented live to 40,000 people at Haigh Hall in Wigan in May 1998, and "The Rolling People" was released as the last single, for US radio only, in June 1998. The music of Urban Hymns, with its complex and immersive sonic textures, moved between melancholic ballads like "Sonnet" and "Space and Time", more ethereal passages like "Catching the Butterfly" and "The Rolling People", and powerful tracks like "Come On", which closes the album.

Urban Hymns was very well received by critics, highlighting Ashcroft's role and the overall quality of the compositions. Some critics viewed it in the context of Britpop, while others analyzed the fusion of its more recent sound with the previous one, and McCabe's contribution. The album reached number one in Ireland, New Zealand, Sweden, and the UK, and charted in the top ten in Australia, Austria, Finland, France, Italy, Norway, and Portugal. It sold 250,000 copies in its first week in the UK, becoming one of the fastest-selling albums and earning multiple platinum certifications. In 1998, The Verve won the Brit Award for Best Album for Urban Hymns, and Youth and Potter for Best Producer. The album appeared on year-end best-of lists from publications like Melody Maker and NME, and was included in the book "1001 Albums You Must Hear Before You Die".