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No vayas a atender cuando el demonio llama 2025
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No vayas a atender cuando el demonio llama

When Lali embarked on the creation of her sixth album, Don't Answer When the Devil Calls, released on April 29, 2025, she sought a sound that resonated with the roots of Argentine rock. This project, produced by Mauro De Tommaso and Don Barreto, draws from genres such as rock, pop rock, and electropop, but also ventures into territories of alternative rock, punk rock, and disco. The songwriting was developed in collaboration with Martín D'Agosto and Mauro De Tommaso, who had previously worked with her on her 2023 album, and featured contributions from artists like BB Asul and Juan Giménez Kuj. The artist described this work as her most personal and authentic work to date, exploring a more introspective facet and embracing rock as a fundamental language of her Argentine identity.

Year
2025
Songs
15
Duration
37 min 26 seg
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About the album

No vayas a atender cuando el demonio llama, according to DoReSol

The impact of Don't Answer When the Devil Calls was notable from its release. The album debuted at the top of the charts in Argentina, marking her sixth number one in the country and setting a record by remaining in that position for ten consecutive weeks, also becoming the best-selling Argentine album of 2025. The album's strength was evident when six of its tracks, along with a collaboration, simultaneously broke into the Billboard Argentina Hot 100. To bring these songs to life on stage, Lali embarked on the Lali Tour 2025, which began in Argentina and extended throughout Latin America and Europe.

The seed of this sound had been germinating for some time. In April 2023, Lali was already hinting at a future sonic exploration, mentioning how the song "Sola" from her previous album, recorded in Uruguay, served as an "outro" that anticipated the path forward. Inspired by the sounds of the eighties and nineties, and admiring figures like Donna Summer and Cher, she sought to capture the grandeur of disco music. Even a collaboration with Cachorro López on a 1983 version of "Mil Horas," with a seventies-style music video, served as a bridge to the essence of national rock that would define this sixth album.