Fin de transmisión

The closing of Fin de transmisión is no ordinary matter: it's a sharp 43-second blow that shatters the silence of No vayas a atender cuando el demonio llama. There are no preambles, no melodic hooks, no lyrics to recount. Just a metallic, repetitive sound that fades like a dying radio signal. It doesn’t sound like a song, but like a fragment of transmission trapped on the record, as if someone had left the receiver open in the middle of the night. That contrast—the raw noise against the polished production of the rest of the album—is what makes it unique. It’s not a mistake, nor filler: it’s a statement of intent. The track acts as a threshold between what came before and what follows, as if the album takes a deep breath before diving into the rest of the songs.

Recorded in April 2025 with equipment from Sony Music Argentina, the track was one of the last to be finalized. Mauro De Tommaso and Don Barreto—who had already worked on their previous album—shaped it, but here there are no layers of production or layered vocals. It’s minimalist to the core: a 43-second loop that feels like it was taken from an old tape, as if someone had left the microphone open in an empty studio. There are no composition credits beyond a name in the technical list, but that doesn’t matter. Its purpose isn’t to be heard, but to be felt: a reminder that sometimes the most powerful things lie in what isn’t said.