The title Re, beyond being a prefix indicating repetition or return, encapsulates the philosophy behind the album. It reflects the idea of cycles in human life and, above all, musical mestizaje as a circular journey. In special editions, the album's artwork included words like "Repetition," "Recycling," and "Resistance," along with a Nahuatl proverb about the cyclical nature of time. For the band, releasing a second album was in itself a restart, a cycle beginning anew. Although initially perceived by both critics and the public in Mexico as something strange and less accessible than their debut, songs like La ingrata and Trópico de Cáncer began to resonate strongly in South America, especially in Chile. This regional success, also boosted by the "MTV generation" of the nineties, sparked the interest of the American specialized press and figures like David Byrne.
In Re, Rubén Albarrán adopted the artistic name "Cosme." The band also featured collaborations with musicians like Luis Conte and Alejandro Flores, who contributed to the album's rich sonic texture. This work represented a turning point for Café Tacvba, demonstrating artistic maturity and an innovative vision that transcended borders and laid the groundwork for their continued musical exploration.