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Alta suciedad 1997
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Alta suciedad

When Andrés Calamaro embarked on Alta suciedad, he was at a turning point. After the dissolution of Los Rodríguez, he found himself with a solo contract and the freedom to explore different sonic paths. Instead of staying in his Madrid studio or calling on known musicians, he made a bold decision: to travel to the United States to record with some of the session musicians he admired for their work on albums by legends like John Lennon, Aretha Franklin, or Elvis Costello. Despite not mastering English fluently, he had the support of producer Joe Blaney to shape this project, seeking a more personal sound and distancing himself from the rumba style of his previous band, as well as the harmonic simplicity of his 1989 work in Argentina.

Year
1997
Songs
14
Duration
55 min 19 seg
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14 song|s

Song list

# Title Available

About the album

Alta suciedad, according to DoReSol

The recording took place over intense weeks between studios in New Jersey and Manhattan. There, Calamaro worked with guitarists of the caliber of Hugh McCracken (who had played on Lennon's Double Fantasy and Paul McCartney's Ram) and Marc Ribot (a collaborator of Tom Waits and Elvis Costello), in addition to Eddie Martínez. The rhythm section was formed by drummer Steve Jordan and bassists Charly Dryton and Chuck Rainey. The final touches were given in Miami, adding the voices of Celeste Carballo, Palito Ortega, and Antonio Escohotado, whose vocal participation was recorded remotely from Madrid for the song "Nunca es igual." The album title, originally conceived as "El otro lado del novio del olvido" or "Decidí contarlo," finally solidified as Alta suciedad, a more direct name.

This album, released on September 9, 1997, became a milestone, selling over 700,000 copies and establishing itself as the second best-selling album in Argentine rock. From it emerged songs that became instant hits, such as Flaca, Loco, and Crímenes perfectos, which showcased a more mature Calamaro, capable of creating songs with great popular connection without losing his identity. The song Loco, in particular, generated controversy and faced censorship due to its lyrics. Alta suciedad has been recognized in important lists, such as the 250 essential albums of Ibero-American rock by Al borde magazine.

Discography

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