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🇲🇽 Mexico · 2018–present

Kevin Kaarl

Kevin Kaarl builds his music from an intimate folk, where the guitars sound like an open diary and the lyrics feel closer than a hug. His sound doesn't ask for permission: it stands naturally, blending melodies that seem taken from a desert sunset with arrangements that recall those afternoons of adolescence playing in school bands. He's not an artist trying to sound like anyone else; his music smells of earth, of an out-of-tune guitar in a small room, and of stories told in a whisper.

The leap that took him from anonymity to the charts wasn't a stroke of luck, but a chain of small yet firm decisions. Before dedicating himself to music, Kevin had set aside the guitar to explore photography and film, but the songwriting bug bit him again. His brother Bryan Kaarl, his accomplice on stage with the trumpet and backing vocals, was the one who pushed him to upload his first recordings to YouTube. «Amor viejo», his first single, started spreading like a rumor among those seeking something different in the Mexican scene, and within months it surpassed seven million views. But it was «Vámonos a Marte», released in December 2018, that catapulted him: the song went viral without warning, amassing millions of streams across platforms and making it clear that his folk wasn't just a genre, but a way of telling the world.

1 Albums
13 Songs
294K Listeners/mo

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1 album|s · 2025

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Biography

His albums aren't collections of songs, but journeys with mandatory stops. Hasta el fin del mundo (2019) arrived like a first map, full of tracks that already sounded like quiet anthems, such as «Si supieras» or «Colapso». The EP San Lucas (2019), released that same year, was like an unexpected yet necessary detour, with songs that feel more personal, like «San Lucas» or «Abrazado a ti». But where Kevin seems to find his most mature voice is in París, Texas (2022), an album that sounds like the open road, long nights, and decisions made in solitude. Songs like «Toda esta ciudad» or «Mujer distante» not only topped the charts in Mexico and Chile but proved that his folk could be universal without losing its essence.

Beyond the numbers, what defines his career is that mix of authenticity and gentle rebellion. He didn't write «Es que yo te quiero a ti» as just another track: he did it in 2020, during the pandemic, as a contained cry against violence toward women, using his platform for something beyond songs. And though he's performed on stages like Vive Latino or Primavera Sound, his music still sounds like those first videos uploaded from a room in Chihuahua, where the only thing that mattered was telling something worth hearing.

Details

Nacimiento
15 may 2001
País
🇲🇽 Mexico
Género
Folk

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