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The Best of Laura Pausini: E ritorno da te 2001
Album · by Laura Pausini ↗ View artist

The Best of Laura Pausini: E ritorno da te

This album arrived in 2001 as a summary of what Laura Pausini had built up to that point, but with an unexpected twist: for the first time, she mixed her most well-known songs with versions of *One More Time* and *Gente (Ordinary People)*, two tracks that were already playing on the radio but here gained a different air. The sound remains that Italian pop with touches of ballad, where strings and orchestral arrangements give it a weight that wasn’t always heard in her previous works. What’s curious is that, unlike other compilations, this one didn’t stay purely commercial: it included songs like *Incancellabile* or *Le cose che vivi*, which had been hits at the time but now sounded fuller, as if time had given them another dimension.

Year
2001
Songs
16
Duration
66 min 26 seg
Listen to the album

16 song|s

Song list

# Title Available
01

E ritorno da te

4:01
02

La solitudine

4:24
03

Non c’è

coming soon

4:16
04

Strani amori

4:17
05

Gente (Ordinary People)

4:37
06

Incancellabile

3:47
07

Le cose che vivi

4:29
08

Seamisai (Sei que me amavas)

3:40
09

Ascolta il tuo cuore

4:39
10

Mi respuesta

3:43
11

In assenza di te

4:29
12

Un’emergenza d’amore

4:34
13

One More Time

4:22
14

Tra te e il mare

3:49
15

Il mio sbaglio più grande

3:06
16

Una storia che vale

4:13

About the album

The Best of Laura Pausini: E ritorno da te, according to DoReSol

The track that gives the album its name, *E ritorno da te*, is the one that best captures that moment. It’s not just a song of return, but a piece that sounds like an embrace after a long journey. Pausini recorded it with an intensity not always seen in her live versions, and that’s noticeable in how her voice breaks in the final choruses. Another standout is *Seamisai (Sei que me amavas)*, where Portuguese and Italian intertwine without forcing the rhythm, something few artists achieve so naturally. The album also has an interesting technical detail: the wind arrangements and acoustic guitars are mixed in a way that makes each instrument breathe, as if they were recorded in a small room rather than a studio.

The impact was immediate. In 2006, this album earned her a Grammy Award for Best Latin Pop Album, something uncommon for a compilation. What’s interesting isn’t just the award, but that it came at a time when Pausini was no longer just an Italian promise, but an artist who had crossed borders without losing her essence. The album sold over a million copies in Europe and Latin America alone, and songs like *Tra te e il mare* or *Il mio sbaglio più grande* became anthems for those who listened to ballads in the 90s and kept searching for something that sounded true.

Discography

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