Home · Artists · Kamasi Washington

Los Angeles, United States · 2000–present

Kamasi Washington

Kamasi Washington doesn’t sound like just another saxophonist in modern jazz: his music breathes in layers. It’s not just the warm sound of his instrument, but how he envelops everything—from the hypnotic groove of his tracks to those arrangements that seem to expand without haste but without pause. His phrasing doesn’t stop at the technical; he seeks melodies that tell a story, even when the rhythm grows dense. It’s not museum jazz; it’s jazz that pulses, that moves between the classical and the contemporary without forcing itself. What you hear in his recordings isn’t just performance; it’s sonic architecture where every note has its place.

But his leap to a broader audience came through an unexpected turn. In 2015, Washington put his saxophone on To Pimp a Butterfly, the album by Kendrick Lamar that redefined hip-hop. It wasn’t a cameo: his solo on "u" became a bridge between genres, a declaration that jazz wasn’t a language of the past. That same year, his own record The Epic—a triple album clocking in at nearly three hours—proved he could carry that energy into his own music. He wasn’t chasing hits; he was chasing a sound that breathed on a grand scale, and he succeeded.

1 Albums
17 Songs

Most played on DoReSol

Essential songs

See all 17 →

1 album|s · 2015

Full discography

Details, awards, members and more

More about Kamasi Washington

Biography

Before that, Washington had already left his mark on the Los Angeles scene. At just seventeen, he won first prize at the John Coltrane Saxophone Competition, but more importantly, he formed the group to accompany him: The Young Jazz Giants. That quartet, featuring musicians like Thundercat and his brother Ronald Bruner, recorded Young Jazz Giants in 2004, though the album took two years to release due to distribution issues. The wait was worth it: even then, the blend of virtuosity and freedom that would define his career was already evident. Later, in 2005, he joined the Gerald Wilson Orchestra to record In My Time, a project that connected him with the tradition of jazz big bands without losing his personal voice.

In 2017, his mini-album Harmony of Difference showcased another facet: short but intense pieces where improvisation and structure balance each other. The following year, Heaven and Earth—and its accompanying EP The Choice—delved deeper into that idea, with arrangements that ranged from intimate to epic. But Washington didn’t stay in the studio. In 2020, alongside Terrace Martin, Robert Glasper, and 9th Wonder, he formed Dinner Party, a supergroup blending jazz, soul, and rap with an almost playful approach. Their self-titled EP, released that same year, was a reminder that music can be both a game and a statement.

Beyond his projects, Washington has collaborated with names ranging from Flying Lotus to Chaka Khan, always driven by curiosity. In 2025, alongside Bonobo and Floating Points, he composed the soundtrack for Lazarus, an anime directed by Shinichirō Watanabe. The next year, the trio won the award for "Best Original Soundtrack for Animation" at the Music Awards Japan. A technical recognition, yes, but one that reflects how his music transcends borders.

Details

Nacimiento
18 feb 1981
País
🇺🇸 United States
Género
Jazz

Awards and honors

  • Grammy

Record labels

Young (record label) Young XL Recordings XL Brainfeeder

The full catalog on DoReSol

All songs