Within the album, tracks like Pompa bye bye and Fuga en tabú stand out for their distinctive imprint. The way these songs are constructed, with arrangements that seek to surprise and lyrics that invite introspection, is a hallmark of this work. Ciudad de pobres corazones, the song that gives the album its name, stands as a central point, condensing the album's general atmosphere with its power and message.
This work is situated in a period where Fito Páez, originally from Rosario and part of the "trova rosarina," already demonstrated his ability to go beyond established trends. Although years later he would achieve international success with albums like El amor después del amor (1992), Circo Beat (1994), and Abre (1999), Ciudad de pobres corazones is a testament to his constant artistic pursuit and his ability to translate complex emotions into musical compositions.