Verano espacial

On the album *Uno*, released in 2000, we find *Verano espacial*, a piece that marks a shift in La Ley's sound. After exploring darker territories with electro-industrial influences in *Vértigo*, and a style that fused grunge with gothic in *Invisible*, the band opted for a more direct path towards alternative rock. This transition is perceived in a clearer sonic structure, setting aside some of the more experimental ambient textures that had characterized previous works. The song's duration is 3 minutes and 53 seconds, a format that allows its proposal to be developed without unnecessary extension.

This album, *Uno*, was the first recorded by the band after the departure of Rodrigo Aboitiz and Luciano Rojas. La Ley consolidated as a trio for this recording, with the support of guest musician Archie Frugone for the bass parts. Later, J.C. Cumplido, who had already collaborated on tours, temporarily returned until 2001, being later replaced by Archie Frugone to continue with the band in its presentations and future projects. The sound of *Uno* reflected this new stage, with an image and a musical proposal more oriented towards rock, which attracted new followers, although some of their early fans did not fully adapt to the change. Despite variations in its lineup and style, La Ley managed with albums like *Uno* and *Libertad* to solidify its presence in Latin America.