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The Rolling Stones · 1966

por The Rolling Stones · álbum

Paint It, Black

Tonalidad Em Tempo 158 bpm Compás 4/4 Dificultad Intermedio 🇬🇧 Inglés
Key
Em
Capo
0
Text
Auto
◫ Cinema Mode Lyric Video
Intro
Dm
Tab - Intro
E|-----0---1---3---1----0-------------------|
B|-3-------------------------3--2--3/5-5----|
G|------------------------2-----------------|
D|---0---0---0---0---0----------------------|
A|------------------------------------------|
E|------------------------------------------|
E|-------0----------------------------------|
B|-0h2h3---3p2p0-2--------------------------|
G|------------------------------------------|
D|------------------------------------------|
A|------------------------------------------|
E|------------------------------------------|
Verse
Tab - Riff
E|---0-1-3-1-0------------------------------|
B|-3-----------3-3h5p3\2-2--3-5-3h5p3-2-0h2-|
G|------------------------------------------|
D|------------------------------------------| (2x)
A|------------------------------------------|
E|------------------------------------------|
Dm Riff
I see a red door and
A7
I want it painted black
Dm
No colors anymore
A7
I want them to turn black
Chorus 1
Dm C F C
I see the girls walk by
Dm
Dressed in their summer clothes
C F C
I have to turn my head
G A7
Until the darkness goes
Verse
Dm Riff
I see a line of cars and
A7
They're all painted black
Dm
With flowers and my love
A7
Both never to come back
Chorus 2
Dm C F C
I see people turn their heads
Dm
And quickly look away
C F
Like a new born baby
C G A7
It just happens every day
Verse
Dm Riff
I look inside myself
A7
And see my heart is black
Dm
I see my red door
A7
I must have it painted black
Chorus 3
Dm C F C
Maybe then I'll fade away
Dm
And not have to face the fact
C F C
It's not easy facing up
G A7
When your whole world is black
Quarta Parte
Dm Riff
No more will my green sea
A7
Go turn a deeper blue
Dm
I could not foresee this
A7
Thing happening to you
Chorus 4
Dm C F C
If I look hard enough
Dm
Into the setting sun
C F C
My love will laugh with me
G A7
Before the morning comes
Verse
Dm Riff
I see a red door and
A7
I want it painted black
Dm
No colors anymore
A7
I want them to turn black
Chorus 1
Dm C F C
I see the girls walk by
Dm
Dressed in their summer clothes
C F C
I have to turn my head
G A7
Until the darkness goes
Solo
Dm A7 Dm A7
Dm A7 Dm A7
Tab - Solo
E|---0-1-3-1-0------------------------------|
B|-3-----------3-3h5p3\2-2--3-5-3h5p3-2-0h2-|
G|------------------------------------------|
D|------------------------------------------| (4x)
A|------------------------------------------|
E|------------------------------------------|
[Quinta Parte
Dm
I wanna see you painted, painted black
A7
Black as night, black as coal
Dm
Don't wanna see the sun
A7
Flying high above the sky
Dm
I wanna see it painted, painted, painted
A7
Painted black, yeah!
Final
Dm A7 Dm A7
Dm A7 Dm A7 Dm
«Paint It, Black» is a rock piece created by Mick Jagger and Keith Richards for their band, The Rolling Stones. It was released as a single and also formed part of the American edition of the album Aftermath in 1966. The song managed to reach number one on both the Billboard Hot 100 and the UK Singles Chart. The track became the band's third number one in the United States and their sixth in the United Kingdom. Since its debut, it has maintained its relevance as the first number one hit to incorporate a sitar, particularly in the United Kingdom, where it has been covered on multiple occasions, appearing on compilation albums and in films. In 2004, «Paint It, Black» was ranked at number 174 on Rolling Stone magazine's list of the 500 greatest songs of all time. The lyrics of the song use chromatic metaphors to express feelings of sadness and depression. Originally, «Paint It, Black» was conceived with a conventional pop structure, which Mick Jagger humorously compared to "Jewish wedding songs". The song describes the scene of a grieving person at a funeral, similar to a blues or folk number. Jagger is said to have drawn inspiration from the book Ulysses by Irish novelist James Joyce, taking the phrase "I have to turn my head until my darkness goes", in reference to the theme of despair and desolation present in the novel. The creation of the song came to fruition when the band's multi-instrumentalist, Brian Jones, showed an interest in Moroccan music. It was the first time a song by the band included a sitar. The sonic experimentation proved successful, turning the song into a hit. «Paint It, Black» emerged at a crucial moment for The Rolling Stones, when the collaboration between Jagger and Richards consolidated itself as the group's main creative driving force. This is reflected in the sessions for the album Aftermath, where for the first time the duo wrote all the tracks. On the other hand, Brian Jones, feeling overshadowed by Jagger and Richards, sought to innovate beyond traditional guitar melodies. To combat boredom, he explored oriental instruments, especially the sitar, to enrich the group's musical texture and complexity. Jones had already had a connection with the sitar since 1961 and discussed its technique extensively. As a multi-instrumentalist, he quickly developed the sitar melody, thanks in part to his studies with Harihar Rao, a disciple of Ravi Shankar. Shortly after speaking with George Harrison, who had recorded the sitar on «Norwegian Wood», Jones created basic arrangements that evolved into what is heard in «Paint It, Black». The final version of «Paint It, Black» was recorded on 8 March 1966 at RCA Studios in Los Angeles, with producer Andrew Loog Oldham overseeing the process. Many of the initial arrangements and tones were inspired by The Animals' song «The House of the Rising Sun», but the Stones were not satisfied and considered discarding it. However, Bill Wyman sought a deeper bass sound, playing his part on his knees, which inspired the pentatonic melody with an oriental rhythm. Finally, the sitar was incorporated into the mix when Harihar Rao passed through the studio with the instrument in hand.