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Pat Garrett & Billy the Kid

by Bob Dylan · Album Pat Garrett & Billy the Kid

Final Theme

Key C Tempo 123 bpm Time signature 4/4 Duration 5:24
Capo 0
Key C
Speed
◫ Cinema Mode

From album

Pat Garrett & Billy the Kid

Pat Garrett & Billy the Kid

Bob Dylan · 1973

Details

TonalidadC
Compás4/4
Tempo123 BPM
Duración5:21
ÁlbumPat Garrett & Billy the Kid
Año1973
ISRCUSSM11304548

The story behind

The piece titled Final Theme, with a duration of 5 minutes and 23 seconds, emerges from the recording sessions for the album Pat Garrett & Billy the Kid, a work that served as the soundtrack for the film of the same name by Sam Peckinpah. This album, released on July 13, 1973, under the Columbia Records label, marked Bob Dylan's twelfth studio record production. Dylan himself participated in the film, playing the character "Alias," and the album's music was directly inspired by the cinematic narrative, largely featuring instrumental compositions. From this project, the song Knockin' on Heaven's Door was released, which managed to rank among the top twenty most listened to on both sides of the Atlantic. The album Pat Garrett & Billy the Kid reached number 16 on the charts in the United States and number 29 in the United Kingdom, also obtaining gold certification from the RIAA.

The collaboration for the soundtrack was initiated by a request from Rudy Wurlitzer, the film's screenwriter, who knew Dylan and asked him for some songs. Dylan performed the song "Billy" for director Peckinpah, who was impressed. The recording of this album featured sound engineering by Dan Wallin and production by Gordon Carroll. The context of Bob Dylan, born Robert Allen Zimmerman in Duluth, Minnesota, on May 24, 1941, positions him as a fundamental figure in popular music. His career, which began in the 1960s with socially conscious folk anthems like Blowin' in the Wind and A Hard Rain's a-Gonna Fall, evolved towards experimentation with rock in 1965 with Highway 61 Revisited, an album that redefined popular music by fusing rock with complex lyrics and surrealist resonances. His single Like a Rolling Stone was recognized by Rolling Stone magazine as the best song of all time and climbed to second place on the Billboard Hot 100. Subsequently, he explored country rock in Nashville Skyline and Self Portrait, and in the 1970s, after a period without touring, he consolidated his commercial success with albums like Planet Waves, Blood on the Tracks, and Desire, all of which reached number one in his country.
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