The title track, Torn Between Two Lovers, became a resounding success, reaching number one on the pop and adult contemporary charts. This ballad, described as simple yet deeply moving and effective, temporarily overshadowed other pieces on the album. However, critics like Peter Reilly of Stereo Review highlighted MacGregor's genuine talent as both a performer and songwriter. Reilly praised her voice, describing it as a light, finely spun, and expressive instrument, used with great skill to create subtle dramatic points. The album's songs, according to Reilly, explore different nuances of romantic love from the perspective of a young woman entering adulthood, showing a natural and observant sensitivity.
Other critics offered different perspectives. Robert Christgau, in his 1970s rock record guide, gave it a "C" rating, noting that Peter Yarrow's first commercial success of the decade was an alternative to Olivia Newton-John, while admitting infidelities. For his part, Robert Hilburn of the Los Angeles Times compared MacGregor's voice to a mix between the innocence of John Denver and the vulnerability of Olivia Newton-John, calling the album a mostly unfortunate collection of "lost girl" vocals. Despite this, Hilburn acknowledged that when MacGregor strayed from what he considered trivial, she demonstrated surprising vocal authority and charm, suggesting that her next work might be more interesting.
The arrangement of Albums, in general, was done by David Campbell.