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City to City 1978
Album · by Gerry Rafferty ↗ View artist

City to City

When Gerry Rafferty released City to City in January 1978, it marked a significant milestone in his career. This album, the second of his solo career, arrived after a six-year period without his own material, interrupted by his time with the band Stealers Wheel and legal complications that kept him away from solo recordings. The production, handled by Hugh Murphy and Rafferty himself, took place at Chipping Norton Recording Studios, shaping a rock sound that would resonate on various charts.

Year
1978
Songs
10
Duration
53 min 46 seg
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About the album

City to City, according to DoReSol

The impact of City to City was notable. In the United States, it unseated the *Saturday Night Fever* soundtrack from the number one spot on the Billboard 200 in July 1978, quickly achieving platinum status. In Canada, the certification was double platinum in 1979. Three songs stood out particularly on the American charts: Baker Street, Right Down the Line, and Home and Dry. Although the record label United Artists considered City to City the main single, Rafferty bet on Baker Street, which became the first promotional track in most markets. This song reached number 3 in the United Kingdom and dominated Canada for four weeks at number one, while in the U.S. it reached number 2 on the Billboard Hot 100.

Right Down the Line also received an excellent reception, topping the Easy Listening chart in the U.S. for two weeks, an achievement no other song by Rafferty accomplished on that list. Bonnie Raitt's 2012 cover for her album Slipstream is an example of this song's enduring appeal. Meanwhile, Home and Dry, released as the third single in the United States, solidified Rafferty with a third consecutive hit within the Top 40 of the Billboard Hot 100. On the B-side of this single was Mattie's Rag, a track that also had its moment on the Easy Listening and Canadian Adult Contemporary charts. An interesting detail of the recording is the participation of the Australian band The Bushwackers in the introduction of The Ark, contributing instruments such as the violin, concertina, and bodhrán, although their payment for the session was never finalized.