Musically, …And Justice for All is distinguished by its ambition. The recordings extended from January to May 1988 at the One on One studios in Los Angeles. Initially, Mike Clink was considered for production, but the availability of Flemming Rasmussen led him to work with the band again. The recording process involved a meticulous approach: the drums were recorded first, followed by the guitars and then the bass. James Hetfield dedicated himself to writing the lyrics during this stage, focused on forging a powerful sound. A notable feature of the production is how Newsted's bass is almost imperceptible in the mix, a detail that the band itself has expressed a desire to change. Songs like "Blackened", with its explosive opening, or the epic "One", which tells the story of a mutilated soldier, are clear examples of the intensity and narrative that define this album.
The impact of …And Justice for All was reflected in its reception. It was nominated for a Grammy Award in 1989 in the category of best hard rock/metal performance, although the award went to Jethro Tull's Crest of a Knave. Despite this, the album has sold millions of copies, achieving multiple platinum certifications in the United States by the RIAA. The band chose to release the album on two vinyl records to preserve sound quality, considering that a single disc might have affected fidelity.