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Soda Stereo

by Soda Stereo · Album Soda Stereo

¿Por qué no puedo ser del jet-set?

Key E Tempo 92 bpm Time signature 4/4 Duration 3:18
Capo 0
Key E
Speed
◫ Cinema Mode

From album

Soda Stereo

Soda Stereo

Soda Stereo · 1984

Details

TonalidadE
Compás4/4
Tempo92 BPM
Duración2:22
ÁlbumSoda Stereo
Año1984
ISRCARF109400136

The story behind

That curiosity for the "jet-set" world and glamorous life, so present in the magazines of the time, is the starting point of *¿Por qué no puedo ser del jet-set?* (Why can't I be part of the jet-set?). What's interesting is how Gustavo Cerati and Charly Alberti shaped this idea. Originally, the lyrics had a more direct and critical tone, almost a punk protest against show business. However, for the recording of the debut album, they decided to give it a twist. The perspective changed: instead of observing from the outside, the song is narrated from within, as if the protagonist were already immersed in that carefree lifestyle full of luxuries. Musically, the piece is anchored in that fun sound of the early '80s, with a clear ska influence. The collaboration of saxophonist Gonzo Palacios, who also played with Los Twist, contributed that air close to the music of that band, marking a distinctive style.

This song was one of the first to be played live by Soda Stereo, from their first concert on December 19, 1982, at Alfredo Lois's house. It remained in the repertoire until the Signos Tour in April 1987. After that tour, it merged with another song, *Te hacen falta vitaminas* (You Need Vitamins), giving rise to a version called *Vita-Set*, which continued to be played until early 1989. It was even considered for the Me Verás Volver Tour in 2007, although it was ultimately left out. The debut album that includes it, Soda Stereo, released on August 27, 1984, is distinguished by a humorous and ironic style, a reflection of the "fun music" movement of the time. The production of this work was handled by Federico Moura, leader of Virus, and the album in general presents a particular sound that moves away from what would come later in the band's discography.
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