Intro 1
D A Am D A D A D A
Verse 1
A
I want to tell you
B E
My head is filled with things to say
When you're here
All those words,
A
they seem to slip away
D
Verse 2
A
When I get near you
B E
The games begin to drag me down
It's alright
A
I'll make you maybe next time
Am
around
A
Verse 3
Bm
Bdim A
But if I seem to act unkind
B Bm Bdim
It's only me, it's not my mind
A
That is confusing things
Verse 4
A
I want to tell you
B E
I feel hung up and I don't know why
Outro
I could wait forever,
A
I've got time
D
Verse 5
Bm
Bdim A
Sometimes I wish I knew you well
B
Then I could speak my mind
Bm Bdim
and tell you
A
Maybe you'd understand
D
Verse 6
A
I want to tell you
B E
I feel hung up and I don't know why
I don't mind
I could wait forever,
A
I've got time
D A D
Verse 7
A D
I've got time
A
I've got time
Outro 1
D A
I want to tell you
My head is filled with things to say
When you're here
All those words, they seem to slip away
When I get near you,
The games begin to drag me down
It's all right
I'll make you maybe next time around
But if I seem to act unkind
It's only me, it's not my mind
That is confusing things.
[Refrain] :
I want to tell you
I feel hung up but I don't know why,
I don't mind
I could wait forever, I've got time
Sometimes I wish I knew you well,
Then I could speak my mind and tell you
Maybe you'd understand
Refrain
I've got time x2
Traducción literaria al español — fiel al sentimiento del autor, no es cantable.
Quiero decirte
Mi cabeza está llena de cosas que decir
Cuando estás aquí
Todas esas palabras parecen escaparse
Cuando me acerco a vos,
Los juegos empiezan a hundirme
Está bien
Quizás la próxima vez lo logre
Pero si parezco actuar con frialdad
Soy solo yo, no es mi mente
La que está confundiendo todo.
[Estribillo] :
Quiero decirte
Me siento atrapado pero no sé por qué,
No me importa
Podría esperar para siempre, tengo tiempo
A veces quisiera conocerte bien,
Así podría hablar con franqueza y decirte
Quizás me entenderías
Estribillo
Tengo tiempo x2
Traducción literaria al italiano — fiel al sentimiento del autor, no es cantable.
Voglio dirti
La mia testa è piena di cose da dire
Quando sei qui
Tutte quelle parole sembrano sfuggirmi via
Quando mi avvicino a te,
I giochi cominciano a trascinarmi giù
Va bene
Forse ce la farò la prossima volta
Ma se sembro comportarmi male
Sono solo io, non è la mia mente
A confondere le cose.
[Ritornello] :
Voglio dirti
Mi sento bloccato ma non so perché,
Non mi importa
Potrei aspettare per sempre, ho tutto il tempo
A volte vorrei conoscerti bene,
Così potrei parlare liberamente e dirti
Forse capiresti
Ritornello
Ho tempo x2
Traducción literaria al portugués — fiel al sentimiento del autor, no es cantable.
Eu quero te falar
Minha cabeça tá cheia de coisas pra dizer
Quando você tá aqui
Todas essas palavras parecem escorregar
Quando eu chego perto de você,
Os jogos começam a me puxar pra baixo
Tudo bem
Vou te pegar talvez numa próxima vez
Mas se eu parecer agir com frieza
Sou só eu, não é minha mente
Que tá confundindo as coisas.
[Refrão] :
Eu quero te falar
Me sinto preso mas não sei por quê,
Não me importo
Posso esperar pra sempre, eu tenho tempo
Às vezes eu queria te conhecer bem,
Aí eu podia falar o que sinto e te dizer
Talvez você entendesse
Refrão
Eu tenho tempo x2
Del álbum
Revolver
The Beatles · 1966 · Track 0
La historia detrás
George Harrison had something to say, and for Revolver (1966) he said it three times: I Want to Tell You was one of his three compositions on that album, the first time the band had given him that much space as a songwriter. It was recorded on June 2 at EMI's London studios, with the bass overdubbed the following day in a separate session, a technical detail that was not routine at the time and that gives the bass line a presence of its own, clearly differentiated from the rest. The song opens and closes with a guitar phrase that also returns between the verses, like a signature. Beneath it, Paul McCartney's bass and an almost hypnotic piano are what really drive it. John Lennon and McCartney reinforce the choruses, similar to what happens in If I Needed Someone. It has some Indian influence, though much more subtle than Love You To, another Harrison piece from the same album. The producer was George Martin, and the genre that best describes it is psychedelic rock. It lasts just two and a half minutes, but there is a great deal of texture in that space.