The story behind
Homem primata, according to DoReSol
This song kicks off with a riff that sounds like it's straight out of a prehistoric documentary: the voices of Marcelo Fromer and Ciro Pessoa —then part of Os Titãs do Iê-Iê— sketched it out as a ska tune in the style of The Specials, but what began as a rough draft at the Copacabana Sol Hotel ended up becoming a rock anthem where English and Portuguese blend together like a cry of evolution. The chorus, with its nods to "Monkey Man" and "Concrete Jungle" peeking through the verses, isn't accidental: they're direct quotes from Toots & the Maytals and Bob Marley, but the twist lies in how the band uses them to talk about us, humans, from inside a cage of sound.
The recording at Nas Nuvens (Rio, March-April 1986) was the lab where this controlled chaos took shape. Liminha, newly arrived as producer, pushed the Titãs to move past the clean sound of Televisão and embrace something grittier, more urgent. The song already existed in draft form, but it was in those sessions that Sérgio Britto and Nando Reis expanded it until it became the third single from Cabeça Dinossauro, an album that, ironically, almost bore its name: the original title was Dinossauro, but they changed it to avoid sounding too obvious. The video, directed by Boninho, reinforces the idea: the band paints a 1950s truck with anarchist symbols, performs on top of it in the middle of São Paulo, and alternates images of cavemen with shots of them caged, as if progress and animality were two sides of the same coin. Exact duration: 3 minutes and 30 seconds.
From album
Cabeça Dinossauro
Titãs · 1986 · Track 11
Details