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Blowin' in the Wind

by Bob Dylan · Album Blowin' in the Wind

Ballad of Hollis Brown

Key Em Tempo 76 bpm Time signature 4/4 Duration 5:06

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From album

Blowin' in the Wind

Blowin' in the Wind

Bob Dylan · 2022 · Track 11

Details

TonalidadEm
Compás4/4
Tempo76 BPM
Duración5:07
ÁlbumBlowin' in the Wind
Año2022
ISRCUSSM10007453

The story behind

The Ballad of Hollis Brown immerses us in a raw and desolate story, narrated from the perspective of a farmer in South Dakota. The lyrics transport us to a setting of extreme poverty, where desperation leads a man to a final and tragic act: ending the lives of his wife, his five children, and finally, his own. What makes this piece particularly impactful is how Bob Dylan uses the second person, directly addressing "you," creating an immediate and disturbing connection with the listener. He puts us in the protagonist's shoes, making us feel his anguish and the impossibility of escaping his situation. The musical composition, with its acoustic guitar played in *flatpicking* style and a particular tuning (*double-dropped D tuning* with capo), reinforces the somber atmosphere and the weight of the narrative. The original text mentions that the melodic structure and chords of this song have their roots in musical forms that evolved in the Appalachian Mountains, and that they are based on the English ballad "Pretty Polly," adapting that dark theme to a contemporary rural context.

This recording of the Ballad of Hollis Brown was made on August 7, 1963, and is part of the album The Times They Are A-Changin', released in 1964. However, the song had already been recorded in earlier sessions, in November 1962, for the album The Freewheelin' Bob Dylan, although that version remained a discard. Live performances between 1962 and 1964 usually included harmonica and chord strumming, different from the more elaborate studio version style. Dylan performed this song on numerous occasions throughout his career, from 1962 well into the 21st century, exceeding 200 live performances. The production of the version included on the album was handled by Tom Wilson, and the record label was Columbia. The lyrics, divided into eleven verses, paint a picture of absolute misery, and the ending, with the image of seven dead people on a farm and the mention of seven new births in the distance, leaves room for interpretation about the cycle of human suffering or hope.