Home · Artists · Herminio Giménez

🇵🇾 Paraguay · 1905 — present

Herminio Giménez

Herminio Giménez (General Caballero, February 20, 1905 – Asunción, June 6, 1991) was a famous Paraguayan composer and orchestra director. He was part of the Orquesta del Dr. Atilio Valentino, the first group to record an album entirely dedicated to Paraguayan music in 1927, hired for the purpose by the music store Viladesau in Asunción. In 1916, showing signs of a child prodigy, he created his first composition: a polka titled "Canción del bohemio." The following year, he would follow with the polka "Poncho jhovy," and in 1919 the polkas "Yasy morotí" and "Corazó Rasy," the waltzes "Remember" and "Jamás," and "the song of the soldier." During the Chaco War, he was assigned as the director of the military band, and after the war ended, he received several decorations from the government.

During the 1936 revolution, he was exiled for the first time to the city of Corrientes, later settling in Buenos Aires where he formed his "Típica de tango" orchestra, which included (among others) Orlando Goñi, Alfredo Gobbi, and Aníbal Troilo. When the dictatorship of Alfredo Stroessner began, Giménez was forced into exile in Argentina, with Corrientes being the place where he spent the most time. In the 1930s and 1940s, he directed orchestras in the main cities of America, such as Buenos Aires, Rio de Janeiro (Brazil), and New York (USA). In the 1950s and early 1960s, he spread his most remembered performances, works such as "Che trompo arasá," "Lejanía," "Cerro Corá," "Canción del arpa dormida," and "Alto Paraná" (with lyrics by Marilí Morales Segovia) and mainly "Malvita," a work recreated by prominent artists in our genre such as Ernesto Montiel, Rubén Miño, Damasio Esquivel, Blas Martínez Riera, among others.

1900s
1 Songs
8 Listeners/mo

Most played on DoReSol

Essential songs

Details, awards, members and more

More about Herminio Giménez

Biography

In the early 1970s, Herminio Giménez settled again in Corrientes, the city he considered his second home, and quickly became a prolific cultural actor, mainly due to his outstanding work as director of the Folklore Orchestra of the Province of Corrientes, whose foundation is largely attributed to the Paraguayan master. With this orchestra composed of outstanding interpreters such as Roberto Giménez Blanco, Oscar "Cacho" Espíndola, Eugenio Balbastro, Teresa Parodi, and Blas Benjamín de la Vega (to name a few), he recorded for the label "Azur" in 1973 the album "Corrientes and its music in a new dimension." In 1975, despite his political exile status, through the mediation of the Bishop of Asunción, Monseñor Ismael Rolón, he presented in that city his "Paraguayan Folkloric Mass," accompanied by the "Folklore Orchestra of Corrientes." (Fundación Memoria de Chamamé) After Stroessner was overthrown in 1989, Giménez was able to return to his homeland, where he eventually died in 1991.

Giménez's compositions were very varied and included different genres such as guarania, Paraguayan polka, Paraguayan dance, waltz, among others. Some of his most important works are: Lejanía, Al Papa Wojtyla, Cerro Corá, Fortín Toledo, Cerro Porteño, Añorando a Matto Grosso, Ruperto Bravo, Feliz Cuarto Centenario, Corrientes, Sapukái en las Malvinas, Corasô rasy, Panchita Garmendia, Ha che tren, Che valle Pirajumi, Campesina Paraguaya, Mi oración azul, Canción de Esperanza, Canción del Arpa dormida, Che Novia Kue Mí, Tupasy Caacupe, Che Trompo Arasa, Entre Do Roimé, Jeroky Popo, El canto de mi selva, Renacerá el Paraguay, Alto Paraná, Nery, El Rabelero, Añoro Mi Pueblo, among others.

Details

Nacimiento
20 feb 1905
País
🇵🇾 Paraguay

Links