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More about Herminio Giménez
Biography
In the early 1970s, Herminio Giménez settled again in Corrientes, the city he considered his second home, and quickly became a prolific cultural actor, mainly due to his outstanding work as director of the Folklore Orchestra of the Province of Corrientes, whose foundation is largely attributed to the Paraguayan master. With this orchestra composed of outstanding interpreters such as Roberto Giménez Blanco, Oscar "Cacho" Espíndola, Eugenio Balbastro, Teresa Parodi, and Blas Benjamín de la Vega (to name a few), he recorded for the label "Azur" in 1973 the album "Corrientes and its music in a new dimension." In 1975, despite his political exile status, through the mediation of the Bishop of Asunción, Monseñor Ismael Rolón, he presented in that city his "Paraguayan Folkloric Mass," accompanied by the "Folklore Orchestra of Corrientes." (Fundación Memoria de Chamamé) After Stroessner was overthrown in 1989, Giménez was able to return to his homeland, where he eventually died in 1991.
Giménez's compositions were very varied and included different genres such as guarania, Paraguayan polka, Paraguayan dance, waltz, among others. Some of his most important works are: Lejanía, Al Papa Wojtyla, Cerro Corá, Fortín Toledo, Cerro Porteño, Añorando a Matto Grosso, Ruperto Bravo, Feliz Cuarto Centenario, Corrientes, Sapukái en las Malvinas, Corasô rasy, Panchita Garmendia, Ha che tren, Che valle Pirajumi, Campesina Paraguaya, Mi oración azul, Canción de Esperanza, Canción del Arpa dormida, Che Novia Kue Mí, Tupasy Caacupe, Che Trompo Arasa, Entre Do Roimé, Jeroky Popo, El canto de mi selva, Renacerá el Paraguay, Alto Paraná, Nery, El Rabelero, Añoro Mi Pueblo, among others.
Details
- Nacimiento
- 20 feb 1905
- País
- 🇵🇾 Paraguay