13 song|s
Casi estatua
Guitar · Intermediate
Par mil
Guitar · Easy
Tanto anteojo
Guitar · Intermediate
Qué pasa conmigo
Guitar
Spaghetti del rock
Elefantes en Europa
Guitar · Intermediate
Vida de topos
Guitar · Easy
La ñapi de mamá
Guitar · Intermediate
Como un cuento
Guitar · Intermediate
Sopa de tortuga
coming soon
Pasiones zurdas derechas
Guitar · Intermediate
La gente se divierte
La firma del opa
Guitar
About the album
The album kicks off with "Casi estatua", a song that grabs you from the very first moment with an introduction evoking Indian sounds and an overwhelming energy, hinting at what was to come. Then, it calms down a bit with the more tranquil "Par mil", which received significant airplay on the radio. Mollo explained that "Tanto anteojo" was meant for those who flaunt knowledge that, in his opinion, should be used to grow as a person, not to show off. And "Qué pasa conmigo" stands out for a solo reminiscent of Hendrix. But the song that truly became a classic is "Spaghetti del rock". Some say it’s a dedication to his ex, Érica García, while others see it as a reflection on how media benefits from the music world. There’s even a mention of an interpretation linking the song to a documentary about the life of Luca Prodan that the band did not endorse.
Later on, "Elefantes en Europa" offers a contrast, a powerful song that seems to capture a snapshot of the band in London. Then, "Vida de topo" explores the inner universe of each person, a metaphor for an internal journey that goes from "Paraíso" to "Catedral", and how, once back on the street, we are all anonymous with our own world. The music continues with "La ñapi de mamá", a hard-hitting rock with added violins, and "Como un cuento", a reggae-infused track featuring the particular phrase "un chalchalero no es un rolling stone". The album also includes the funk of "Sopa de tortuga" and the rock of "Pasiones zurdas derechas", closing with tracks like "La gente se divierte" and "La firma del Opa".
Discography
