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Labour of Love 1983
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Labour of Love

UB40's Labour of Love arrived in 1983 as their fourth studio album, but with a peculiarity: it was their first work dedicated entirely to covering songs they admired. The band focused on songs by reggae artists who had shaped their path between 1969 and 1972. The idea of making such an album had been around for years, but the pressure to have a new record and the recent opening of their own studio, The Abattoir, created the perfect environment. Without the urgency to compose their own material, they were able to experiment with sounds like electronic drums and synthesized bass, enjoying the recording process.

Year
1983
Songs
10
Duration
39 min 56 seg
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About the album

Labour of Love, according to DoReSol

Several songs emerged from this work that resonated strongly. The track "Red Red Wine" became a global hit, reaching number one in the UK and, after some time, also in the United States in 1988. But it wasn't the only one: "Please Don't Make Me Cry", "Many Rivers to Cross", and "Cherry Oh Baby" also ranked among the top twenty most listened to in the UK. The curious thing about "Red Red Wine" is that, although they knew it as a reggae piece, its origin was in the songwriting of Neil Diamond. The album, which included an additional verse by Astro, reached number one in the UK, New Zealand, and the Netherlands, and entered the top five in Canada, although its initial impact in the United States was more moderate.

To accompany the release, a 30-minute film, also called Labour of Love, was created and premiered on VHS in 1984. Directed by Bernard Rose and co-written by him with Brian Travers, the short film presented a fictional story of the band members' lives, their relationships, and their jobs at a scrapyard. The plot revolved around the rivalry between two brothers to win over the same girl, played by Mickey Virtue's then-girlfriend. The film's soundtrack included the album's songs, and the music videos for "Red Red Wine", "Please Don't Make Me Cry", and "Cherry Oh Baby" were extracted from it. This cover project set a precedent, as UB40 would continue to explore this format in subsequent albums.

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