Within the tracklist of Hijos del culo, there are songs that especially capture the essence of what Bersuit Vergarabat proposed. For example, Canción de Juan or Porteño de ley are clear examples of how the band managed to intertwine everyday narratives with vibrant musicality. The way Gustavo Cordera and Daniel Suárez alternate on vocals, along with the characteristic instrumentation of Juan Subirá on keyboards and accordion, and the guitars of Oscar Righi and Alberto Verenzuela, create a very particular sonic texture. The rhythmic base, supported by Pepe Céspedes on bass and Carlos Martín on drums and percussion, is powerful and allows the songs to flow with undeniable force.
The particularity of Bersuit Vergarabat has always resided in their ability to address serious topics with a musicality that invites reflection but also movement. In Hijos del culo, this balance remains firm, making this album a key piece for understanding the band's evolution and their impact on Argentine music. Despite the criticisms and censorship they sometimes faced for their lyrics, La Bersuit's popularity grew, consolidating them as a distinctive sonic proposal in Latin America.