Sangre entre tú y yo

When you face Sangre entre tú y yo, you encounter a sonic piece that, although it lasts just over three minutes, condenses a particular energy. The arrangement, handled by Nacho Cano, gives it a structure that invites immersion in its atmosphere. Together with Rafael Abitbol, who also participated in the production, a sound was sought that would define a stage for La Unión.

This track emerges at a key moment for the band. In the early eighties, Rafa Sánchez, Luis Bolín, Mario Martínez, and Iñigo Zabala consolidated in Madrid, with the impetus of producers like Nacho Cano and Rafael Abitbol. After the resounding success of Lobo hombre en París in 1984, which kept them at the top of the charts for three months, and the release of their first album, Mil siluetas, the group continued to explore their sound. By 1988, with the departure of Iñigo Zabala, the band took the reins of their production, releasing Vivir al este del edén and embarking on tours through South America. In the early nineties, the album Tentación brought with it songs like Berlín and Ella es un volcán, and in 1992 the extensive compilation Tren de largo recorrido was released, which included a concert recorded in La Coruña. A stylistic turn came in 1993 with Psychofunkster Au Lait, where they experimented with psychedelic sounds in songs like Africa.