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Clics Modernos

by Charly García · Album Clics Modernos

No soy un extraño

Key F Tempo 117 bpm Time signature 4/4 Duration 4:28
Capo 0
Key F
Speed
◫ Cinema Mode

From album

Clics Modernos

Clics Modernos

Charly García · 1983

Details

TonalidadF
Compás4/4
Tempo117 BPM
Duración3:15
ÁlbumClics Modernos
Año1983
ISRCARF098300019

The story behind

Upon hearing *No soy un extraño*, one encounters a sonic proposal that blends the danceable energy of synth-pop with the Buenos Aires melancholy of tango. The rhythmic base, built on the Roland TR-808 synthesizer, provides a firm and modern pulse, while the main melody is sustained in a four-four time signature. But what truly grabs attention are the hooks that begin the song, creating an atmosphere that invites reflection. The lyrics, for their part, seem to speak of a newcomer to a city, someone observing the present with fresh eyes and a willingness to absorb their surroundings, distancing themselves from representations that arrived from afar. A connection is perceived with the reality of Argentina at the time, marked by a recent past of dictatorship and by social and musical conventions that were sought to be left behind. The image of two people dancing a tango in a bar, while a recorder plays, evokes that mix of the new with the traditional that defines the song.

This piece, part of the album *Clics Modernos*, was released in 1983, a key moment in the career of Charly García. In this work, García collaborated with Pedro Aznar, with whom he had already shared projects in Serú Girán. The album, sometimes known as *Modern Clix*, is considered a turning point in Argentine rock, laying the groundwork for the trends that would define the 1980s. The criticism of the time, including Rolling Stone, highlighted how *No soy un extraño* encapsulates that feeling of transformation that Charly García was experiencing. His ability to synthesize that spirit of change was noted, and it was described as one of the album's most outstanding tracks, with a proposal that combined minimalism, complex rhythms, and a subtle load of ambiguity.
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