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The story behind
Madame George, according to DoReSol
The song *Madame George* by Van Morrison is a sonorous journey that invites reflection, with an atmosphere that feels both intimate and expansive. Its duration, close to ten minutes, allows the instrumentation to develop calmly: in addition to Morrison's voice and acoustic guitar, a double bass, a flute, percussion, a vibraphone, and a string quartet are added. This combination creates a musical tapestry that departs from conventional structures, immersing the listener in an almost cinematic experience, as if it were a sketch or a short story, just as the artist himself described the compositions of Astral Weeks.
The recording of *Madame George* took place in a single session, on September 25, 1968, at Century Sound Studios in New York City. It was a live process, where the vocals and the rhythm section, along with the flute, were recorded at once. Only the strings were added later. The original title, as Morrison recounted, was *Madame Joy*, but for some reason he himself cannot explain, he wrote it as *Madame George*. The meaning of the lyrics has generated debate; some interpret it as a farewell to the past, while others suggest that the character of Madame George could be a drag queen, something that Morrison has denied, stating that he based it on several people. He himself has said that the songs from Astral Weeks are like stories, and that the meaning of *Madame George* is as enigmatic to him as it is to anyone. The journalist Lester Bangs, in 1979, described it as a swirl within the album, a musical piece charged with empathy towards the figure of Madame George, suggesting that the sadness perceived in Morrison's performance is a reflection of the character's pain. The song also nods to places from Morrison's childhood in Belfast, such as Cyprus Avenue.
From album
Astral Weeks
Van Morrison · 1968
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