Home · Songs · Pink Floyd · Hey You
From album
The Wall
Pink Floyd · 1979
Details
TonalidadG
Compás4/4
Tempo129 BPM
Duración4:40
CompositorRoger Waters
ÁlbumThe Wall
Año1979
ISRCGBDJQ7900017
Credits
Music Roger Waters
The story behind
The music of Hey You begins with a peculiar-sounding acoustic guitar. The tuning is similar to that used in Nashville, but with the low E string replaced by a high E, two octaves above normal. This allows the notes of the arpeggios, such as those in a minor ninth chord, to sound separated on different strings. Soon, a fretless bass, played by David Gilmour, joins in, along with the Fender Rhodes electric piano handled by Richard Wright. Gilmour's vocals are in the first person, embodying the character of "Pink," and the second verse is enriched with additional acoustic guitars and drums.
At the heart of the piece, a guitar solo is supported by a distorted Hammond organ, which reprises the album's main melody, Another Brick in the Wall, albeit in E minor and A minor keys. After the solo, Roger Waters takes the lead vocals, adopting a narrative role. He refers to "Pink" in the third person and then addresses him directly. The middle section, which links to Bring the Boys Back Home, concludes on an E minor chord and gives way to the reappearance of the instrumental intro, now enriched with powerful ARP Quadra riffs. An unintelligible murmur floats from the left channel before the drums and vocals re-enter. Around the three-minute twenty mark, a sound resembling sonar is heard, evoking the ping from Echoes. The brain-eating worm effect, accompanying the lyrics, was created by sound engineer James Guthrie, who used the sound of a hand drill boring through material. Waters sings the final verse an octave higher than Gilmour.
The Wall tells the story of "Pink," a rock star who isolates himself from society. In Hey You, "Pink" realizes his mistake in rejecting the outside world and tries to reconnect, but finds himself unable to see or hear beyond his own barrier. His plea becomes increasingly desperate in the face of his inability to escape. The recording of this song, along with The Show Must Go On, was edited for the 1982 film, although a preliminary version can be found on the album's special edition. The filming for the movie, depicting "Pink" trying to break out of his wall, an apathetic audience, and scenes of riots, was not included in the final cut. The album, released in November 1979 in the UK and December 1979 in the US, was conceived by Roger Waters during the 1977 tour, drawing inspiration from his own experiences and those of a former band member. The album's production involved Bob Ezrin, David Gilmour, James Guthrie, and Roger Waters.
0:00