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The story behind
Entre dos tierras, according to DoReSol
When Enrique Bunbury and Juan Valdivia, alongside Joaquín Cardiel and Pedro Andreu, created Entre dos tierras, they were not only crafting a song but also a turning point. Released in November 1990 as the first single from Senderos de traición, this track quickly became a benchmark. The song not only reached the top spot in Spain but also marked a before and after in the career of Héroes del Silencio, propelling them to greater visibility. The production by Phil Manzanera brought a distinct sonic atmosphere, allowing the band to explore new ways of composing and recording. The sound of Entre dos tierras grew harder, with guitars taking center stage, adorned with effects like delay and distortion, characteristic of the era and the band’s early stages.
The public reception was remarkable, standing out from more pop-oriented proposals by groups like Duncan Dhu or Los Secretos. However, this success also sparked critical voices, particularly in certain sectors of the music press. The impact was such that in February 1991, the song crossed borders and reached underground radio stations in Germany, prompting EMI Germany to release a maxi single. The influence of Entre dos tierras has endured over time; in 2024, Till Lindemann, vocalist of Rammstein, shared his version on YouTube, and in 2025, Miguel Campello will include his interpretation on his album Con Todos Mis Respetos 2. The recording of Senderos de traición took place at Kirios Studios in Madrid, under the production of Phil Manzanera for Sound & Management in Zurich, with the mixing done at Metropolis Studios in London by engineer Keith Bessey. This album, considered introspective and a fusion of gothic rock, pop, and hard rock, reflected a sonic search that Héroes del Silencio felt they had not captured in their previous work, El mar no cesa.
From album
Senderos de traición
Héroes del Silencio · 1990 · Track 1
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