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Thriller

por Michael Jackson · álbum Thriller

Billie Jean

Grammy
Tonalidad F#m Tempo 117 bpm Compás 4/4 Dificultad Intermedio 🇬🇧 Inglés
Billie Jean

Michael Jackson — Billie Jean

Press play to sync the lyrics with the music

Key
F#m
Capo
0
Text
Auto
◫ Cinema Mode Lyric Video
Intro
Riff
Tab - Intro
Parte 1 de 2
E|----------------------------------------------------|
B|----------------------------------------------------|
G|----------------------------------------------------|
D|-4---2-4-2------------------------------------------|
A|---4-------4-2-4------------------------------------|
E|----------------------------------------------------|
Parte 2 de 2
F#m
E|-2------4-----------5------4------------------------|
B|-2------4-----------5------4------------------------|
G|-2------4-----------6------4------------------------|
D|-4---2--4--2--------4---2--4--2---------------------|
A|---4---------4-2-4----4---------4-2-4---------------|
E|----------------------------------------------------|
Verse
Tab - Primeira Parte
Parte 1 de 2
F#m
E|-2------4-----------5------4------------------------|
B|-2------4-----------5------4------------------------|
G|-2------4-----------6------4------------------------|
D|-4---2--4--2--------4---2--4--2---------------------|
A|---4---------4-2-4----4---------4-2-4---------------|
E|----------------------------------------------------|
Parte 2 de 2
Bm
E|-7------7-----------7------7------------------------|
B|-7------7-----------7------7------------------------|
G|-7------7-----------7------7------------------------|
D|-9---7--9--7--------9---7--9--7---------------------|
A|---9---------9-7-9----9---------9-7-9---------------|
E|----------------------------------------------------|
F#m
She was more like a beauty queen
From a movie scene
I said don't mind
Bm
But what do you mean: I am the one
Who will dance on the floor
F#m
In the round
Bm
She said I am the one
Who will dance on the floor
F#m
In the round
She told me her name was Billie Jean
As she caused a scene
Then every head turned with eyes that
Bm
Dreamed of being the one
Who will dance on the floor
In the round
Pré-Refrão
D9
People always told me:
F#m7(11)
Be careful of what you do
D9
And don't go around
F#m7(11)
Breaking young girl's hearts
D9
My mother always told me:
F#m7(11)
Be careful of who you love
D9
And be careful of what you do
C#7
'Cause the lie becomes the truth
Chorus
Tab - Frase 1
E|-2--4---5--4---2--4---5--4---------------------------|
B|-2--4---5--4---2--4---5--4---------------------------|
G|-2--4---6--4---2--4---6--4---------------------------|
D|-4--6---7--6---4--6---7--6---------------------------|
A|-----------------------------------------------------|
E|-----------------------------------------------------|
Tab - Frase 2
E|-----------------------------------------------------|
B|-7-x-x-7-x-x-7-x-x-7-x-x-7-x-x-7-x-x-7-x-x-7-x-x-7---|
G|-----------------------------------------------------|
D|-4-x-x-4-x-x-4-x-x-4-x-x-4-x-x-4-x-x-4-x-x-4-x-x-4---|
A|-----------------------------------------------------|
E|-----------------------------------------------------|
F#m (Frase 1)
Billie Jean is not my lover
She's just a girl
Bm (Frase 2)
Who claims that I am the one
F#m
But the kid is not my son
Bm (Frase 2)
She says I am the one
F#m
But the kid is not my son
Verse
F#m
For forty days and forty nights
The law was on her side
But who can stand when she's in demand
Bm
Her schemes and plans
'Cause we danced on the floor
F#m
In the round
Bm
So take my strong advice
F#m
Just remember to always think twice
(Do think twice, do think twice)
She told: My baby
We danced 'til three
Then she looked at me
Then showed a photo my baby cried
Bm
His eyes were like mine
'Cause we danced on the floor
F#m
In the round, baby
Pré-Refrão
D9
People always told me
F#m7(11)
Be careful of what you do
D9
And don't go around
F#m7(11)
Breaking young girl's hearts
D9
But she came and stood right by me
F#m7(11)
Just to smell her sweet perfume
D9
This happened much too soon
C#7
She called me to her room
Refrão Final
Tab - Frase 1
E|-2--4---5--4---2--4---5--4---------------------------|
B|-2--4---5--4---2--4---5--4---------------------------|
G|-2--4---6--4---2--4---6--4---------------------------|
D|-4--6---7--6---4--6---7--6---------------------------|
A|-----------------------------------------------------|
E|-----------------------------------------------------|
Tab - Frase 2
E|-----------------------------------------------------|
B|-7-x-x-7-x-x-7-x-x-7-x-x-7-x-x-7-x-x-7-x-x-7-x-x-7---|
G|-----------------------------------------------------|
D|-4-x-x-4-x-x-4-x-x-4-x-x-4-x-x-4-x-x-4-x-x-4-x-x-4---|
A|-----------------------------------------------------|
E|-----------------------------------------------------|
Tab - Frase 3
Parte 1 de 2
E|-----------------------------------------------------|
B|-----------------------------------------------------|
G|-----------------------------------------------------|
D|-X-X-9/11--9--7-9/11-----X-X-9/11--9--7-9/11---------|
A|-----------------------------------------------------|
E|-----------------------------------------------------|
Parte 2 de 2
E|-----------------------------------------------------|
B|-----------------------------------------------------|
G|-----------------------------------------------------|
D|-X-X-9/11--9--7-9/11-----X-X-9/11--9--7-9/11---------|
A|-----------------------------------------------------|
E|-----------------------------------------------------|
Tab - Frase 4
Parte 1 de 4
E|-----------------------------------------------------|
B|-----------------------------------------------------|
G|-----------------------------------------------------|
D|-X-X-9/11--9--7-9/11-----X-X-9/11--9--7-9/11---------|
A|-----------------------------------------------------|
E|-----------------------------------------------------|
Parte 2 de 4
E|-----------------------------------------------------|
B|-----------------------------------------------------|
G|-----------------------------------------------------|
D|-X-X-9/11--9--7-9/11--X-X-9/11--9--7-X-X-9/11--9--7--|
A|-----------------------------------------------------|
E|-----------------------------------------------------|
Parte 3 de 4
E|-----------------------------------------------------|
B|-----------------------------------------------------|
G|-----------------------------------------------------|
D|-X-X-9/11--9--7-9/11--X-X-9/11--9--7-X-X-9/11--9--7--|
A|-----------------------------------------------------|
E|-----------------------------------------------------|
Parte 4 de 4
E|-----------------------------------------------------|
B|-----------------------------------------------------|
G|-----------------------------------------------------|
D|-X-X-9/11--9--7-9/11-----X-X-9/11--9--7-9/11---------|
A|-----------------------------------------------------|
E|-----------------------------------------------------|
Tab - Frase 5
E|-----------------------------------------------------|
B|-----------------------------------------------------|
G|-----------------------------------------------------|
D|-9b10r9--7-9-7--9----9b10r9--7-9-7-------------------|
A|------------------------------------9----------------|
E|-----------------------------------------------------|
F#m (Frase 1)
Billie Jean is not my lover
She's just a girl
Bm (Frase 2)
Who claims that I am the one
F#m
But the kid is not my son
F#m (Frase 3)
Billie Jean is not my lover
She's just a girl
Bm (Frase 2)
Who claims that I am the one
F#m
But the kid is not my son
Bm (Frase 2)
She says I am the one
F#m
But the kid is not my son
(Frase 4)
Bm (Frase 2)
She says I am the one
F#m
But the kid is not my son
F#m (Frase 1)
Billie Jean is not my lover
She's just a girl
Bm (Frase 5)
Who claims that I am the one
(No, she is not just my baby)
F#m
But the kid is not my son
Bm (Frase 5)
She says I am the one
F#m (Frase 1)
But the kid is not my son
She says I am the one
(You know what you did)
She says he is my son
(Breaking my heart, babe)
She says I am the one
Billie Jean is not my lover
Billie Jean is not my lover
Billie Jean is not my lover
Billie Jean is not my lover
(Call me, Billie Jean)
Billie Jean is not my lover
(She is not at the scene)
Billie Jean is not my lover

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"Billie Jean" is a song by American artist Michael Jackson, released on January 2, 1983, by Epic Records as the second single from his sixth studio album, Thriller, published in 1982. The song was written and composed by Jackson, who also produced it alongside Quincy Jones. The track combines genres such as post-disco, rhythm and blues, funk, dance-pop, and elements of new wave. The lyrics tell the story of a woman named Billie Jean who claims that the narrator is the father of her child, something he denies. Jackson mentioned that the inspiration for the lyrics came from the claims of groupies about his older brothers during tours with the Jackson 5. The song reached number one on the Billboard Hot 100 and topped the Billboard Hot Black Singles chart in just three weeks, becoming Jackson's most successful single since the days of "ABC", "The Love You Save", and "I'll Be There" with the Jackson 5 in 1970. Billboard ranked it as the second best song of 1983. "Billie Jean" has been certified six times Platinum by the Recording Industry Association of America (RIAA) and has sold more than 10 million copies worldwide, making it one of the best-selling singles of all time. It also reached number one in countries such as the United Kingdom, Canada, France, Switzerland, and Belgium, and placed in the top ten in many other places. This success contributed to Thriller becoming the best-selling album of all time and to it being Jackson's best-selling solo single. Jackson's performance of "Billie Jean" on the television special Motown 25: Yesterday, Today, Forever was widely praised and received an Emmy Award nomination. During this performance, Jackson introduced iconic moves such as the moonwalk, as well as his black sequined jacket and short pants, which were widely imitated. The music video for "Billie Jean", directed by Steve Barron, was the first video by a Black artist to receive heavy rotation on MTV. Along with other videos from Thriller, it helped establish the cultural relevance of MTV and consolidate music videos as an essential tool in the promotion of popular music. The minimalist, bass-driven arrangement of "Billie Jean" pioneered what one critic described as "sleek, post-soul pop music". It also introduced a more paranoid lyrical style that would become a defining characteristic of Jackson's later music. "Billie Jean" received numerous accolades, including two Grammy Awards and an American Music Award. On a list compiled by Rolling Stone and MTV in 2000, it was ranked as the sixth greatest pop song since 1963. Rolling Stone placed it at number 58 on its list of The 500 Greatest Songs of All Time in 2004, and at number 44 in the 2021 update. It was also included in the Rock and Roll Hall of Fame's 500 Songs That Shaped Rock and Roll. It frequently appears in magazine polls about the greatest songs in history and was named the greatest dance record of all time by listeners of BBC Radio 2. Jackson explained on several occasions that "Billie Jean" was inspired by experiences with groups of girls that he and his brothers met while in The Jackson 5. "Billie Jean is a generic name. It represents many girls, known as 'groupies' in the 60s", he commented. He added that these girls used to wait at the backstage doors of venues and had relationships with whatever band came to their city. "I think I wrote this based on what I lived with my brothers when I was young. There were many 'Billie Jeans', each claiming that her child was related to one of my brothers". The song was written by Michael in just five minutes.