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🇦🇷 Argentina · 1971–1973, 2009

Pescado Rabioso

Pescado Rabioso was born as an explosion of distorted guitars and lyrics that moved between the poetic and the visceral. Spinetta formed the trio with Black Amaya on drums and Osvaldo "Bocón" Frascino on bass —both from Engranaje, the band of Pappo— to explore a sound that blended raw blues with the heavy rock that was beginning to take shape in those years. The band's very name was a provocation: a fish afraid of water, an oxymoron that reflected the mix of fury and contradiction Spinetta sought to capture. Their debut in May 1972 at the Metro cinema marked the beginning of something new, but it was in the studio where they found their identity.

Recorded at Phonalex studios in September 1972, Desatormentándonos condensed that energy into eleven songs where the riff of "Me gusta ese tajo" and the dark psychedelia of "El monstruo de la laguna" instantly became references. The album included a sheet with a text by Spinetta that spoke of that "punk moment" he was living, but without falling into the obvious: it was not just noise, but a mix of distortion and lyricism where the electric guitar became the protagonist after years of Spinetta dominating the acoustic with Almendra. The presentation at the Atlantic theater in front of a thousand people, and later at Don Bosco in San Isidro —where Gustavo Spinetta replaced the sick Frascino— showed a band that no longer sought to fit into the rules of the business. Spinetta summed it up like this: "I rebelled by creating riffs".

1 Albums
9 Songs
260K Listeners/mo

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1 album|s · 1973

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The second lineup, with David Lebón on bass after leaving Color Humano, took the experiment one step further. Pescado 2 was a double album released in 1973, with orchestral arrangements and an illustrated booklet that accompanied the vinyl. Songs like "Nena boba" and "Credulidad" showcased the group's versatility, but also their capacity for the epic, as in "Cristálida". Their participation in B.A. Rock III was captured in the film "Rock Hasta que se ponga el sol", where they left songs like "Post-crucifixión" and "Despiértate nena". Less than a year after that festival, the band dissolved, though Spinetta continued to use the name to release Artaud in 1973, an album recorded with his brother Gustavo on drums and Emilio del Guercio on bass, which included pieces like "Todas las hojas son del viento". In less than two years, Pescado Rabioso had left three lineups, three styles and three albums, but above all, it had changed the course of Argentine rock forever.

Details

Born
1 Jan 1971
Country
🇦🇷 Argentina
Genre
Rock

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