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Viveza 2002
Album · by Fernando Cabrera ↗ View artist

Viveza

The album Viveza, released in 2002, presents itself as a sonic meeting point in the career of Fernando Cabrera. Born in Montevideo in 1956, Cabrera is an artist with a deep musical background, having studied guitar from childhood and later composition and orchestration at the University Conservatory. His previous experience includes participation in groups like Montresvideo and Baldío, in addition to a prolific solo career that already had several works released on vinyl and compact disc formats. Throughout his career, he has demonstrated a versatility that spans performance, composition, arrangements, and writing, participating in numerous shows and recordings.

Year
2002
Songs
15
Duration
43 min 30 seg
Listen to the album ★

15 song|s

Song list

# Title Available ⏱
01

Querido amigo

Intermediate

2:36 02

Viveza

Intermediate

3:48 03

Un par

3:14 04

Los Eduardos

Intermediate

3:22 05

Lisa se casó

Intermediate

2:55 06

Mudanza

Intermediate

2:31 07

Voy por mí

Easy

2:32 08

La batalla del siglo

Intermediate

2:20 09

Decimas de prueba

Intermediate

3:14 10

Resurrección

Intermediate

2:50 11

Blues del cuaderno

Intermediate

2:18 12

Te abracé en la noche

Intermediate

2:05 13

Sobrevivirás

Intermediate

2:29 14

Bandera amarilla

Intermediate

4:56 15

Criticas

Intermediate

2:20

About the album

Viveza, according to DoReSol

This album, Viveza, features fifteen songs, among which Querido amigo, Viveza, and Los Eduardos stand out. Cabrera's music is characterized by constant exploration, and this work is no exception. His focus on composition and arrangements is reflected in the diversity of themes that make up the album, offering a panorama of his musical universe. The production of Viveza falls within a period where the artist had already consolidated a sonic identity, marked by his time in the Uruguayan music scene since 1977 and his international experiences, such as his participation in the Youth Festival in Moscow in 1985 or his stay in La Paz, Bolivia, in 1988, where he made arrangements for local musicians.

The work of Fernando Cabrera, including Viveza, is nourished by a rich experience that goes beyond simple performance. His knowledge in composition and orchestration, acquired at the University Conservatory with figures like Federico García Vigil and Coriún Aharonián, is evident in the structure and sonic treatment of his songs. Throughout his career, he has collaborated with other musicians, such as Eduardo Mateo, and has released works both solo and in collective projects, demonstrating an artistic restlessness that remains current.