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Mingus Ah Um 1959
Album · by Charles Mingus ↗ View artist

Mingus Ah Um

This album by Charles Mingus was released in October 1959, recorded in just seven days at New York’s Columbia 30th Street studio using borrowed equipment. What stands out most is how it blends hard bop with passages that sound like post-bop, yet never loses the groove that makes it instantly recognizable. The title Mingus Ah Um plays with a Latin declension deformation—almost as if saying “Mingus, Minga, Mingum”—and the cover, painted by S. Neil Fujita, mirrors the same balance between the classical and the unexpected. It was recorded in May 1959, just as jazz was beginning to explore new territories, and Columbia released it that same year as the artist’s first album for the label. The original LP edition trimmed six of the nine tracks to fit the format, a decision later corrected in subsequent reissues.

Year
1959
Songs
9
Duration
45 min 55 seg

9 song|s

Song list

# Title Available
01

Better Git It in Your Soul

coming soon

7:23
02

Goodbye Pork Pie Hat

coming soon

4:47
03

Boogie Stop Shuffle

coming soon

3:44
04

Self-Portrait in Three Colors

coming soon

3:06
05

Open Letter to Duke

coming soon

4:56
06

Bird Calls

coming soon

3:14
07

Fables of Faubus

8:14
08

Pussy Cat Dues

coming soon

6:29
09

Jelly Roll

4:02

About the album

Mingus Ah Um, according to DoReSol

Among the standout tracks is Better Git It in Your Soul, where piano and winds intertwine with a rhythm reminiscent of the gospel sermons Mingus heard as a child in Watts. Goodbye Pork Pie Hat pays tribute to saxophonist Lester Young, who had passed away shortly before, and its melancholic bassline became a hallmark of the era. Boogie Stop Shuffle, for its part, is a twelve-bar blues oscillating between *stop time* and *shuffle*, driven by a relentless bassline. Fables of Faubus carries political weight: the instrumental version emerged after Columbia banned the lyrics criticizing Governor Orval Faubus, a segregationist in Arkansas. The vocal version didn’t arrive until 1960, on an album released by Candid. Bird Calls, meanwhile, mimics bird sounds—not Charlie Parker as many assume—and Jelly Roll honors pianist Jelly Roll Morton, even including a nod to Sonny Rollins in the piano solo.

The album didn’t go unnoticed: in 2013 it was inducted into the Grammy Hall of Fame, and in 2020 Rolling Stone ranked it at number 380 on its list of the 500 greatest albums of all time. In 2003, the Library of Congress added it to its National Recording Registry, and in 2009 a two-disc special edition was released to celebrate its fiftieth anniversary, featuring alternate takes of Bird Calls, Better Git It in Your Soul, and Jelly Roll. Curiously, the original LP edits—shortened to fit 45 minutes—remained in some CD reissues until 1998, when the complete version was finally published. Today, Mingus Ah Um remains that bridge between accessibility and ambition, where every track feels like a story told through instruments.