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2007

Album · by Kevin Johansen + The Nada ↗ View artist

Logo

Logo sounds like a record that came together on the road, with no fixed plan but an energy that’s evident from the first track. Recorded in 2007, the album blends rhythms ranging from pop to rock with touches of electronic music and lyrics that oscillate between the everyday and the surreal. What stands out most is how catchy melodies coexist with structures that deviate from convention, as if each song had its own character without losing the cohesion of the whole.

Year: 2007
Songs: 17
Duration: 69 min 5 seg

Listen to the album ★

17 song|s

Song list

# Title Available ⏱

Logo

Intermediate

02

Anoche soñé contigo

coming soon

4:07

Susan Surrender

Intermediate

Ese lunar

Intermediate

Fantasmas de carnaval

Intermediate

Funny Face

Easy

07

Road Movie

coming soon

4:13

08

Son del MP3

coming soon

1:53

09

La hamaca

coming soon

4:20

10

Por las ruas / pelas calles

coming soon

4:55

11

Chica rolinga

coming soon

2:46

12

S.O.S. tan Fashion (Emergency!)

coming soon

5:18

Oh My Love My Love

Intermediate

14

Everybody Says

coming soon

4:08

15

Luna sobre Porto Alegre

coming soon

3:43

16

Amistad de borrachera

coming soon

2:24

17

Cliché latino, cliché gringo

coming soon

4:12

About the album

Logo, according to DoReSol

There are songs that truly capture that spirit. Logo, the one that opens the album, has a groove that repeats but never becomes predictable, while Susan Surrender mixes a retro vibe with a chorus that sticks instantly. Everybody Says plays with a faster rhythm and lyrics that feel like they’re coming straight out of a bar conversation, and Fantasmas de carnaval carries that mix of festive and melancholic tones that runs through the entire work. Even Luna sobre Porto Alegre, with its title evoking a journey, sounds like a sonic postcard of something that could happen in any city at night.

The album has the feel of a touring band, as if the songs had been road-tested live before being recorded. There are no studio corrections to hide the spontaneity, and that’s evident in details like the tempo shifts in Road Movie or the way Oh My Love My Love flows between acoustic and electric. It’s an album that doesn’t aim to sound polished, but rather authentic—and that’s what makes it feel closer when you listen to it.

Discography

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