Home · Albums · Mon Laferte · La trenza

La trenza 2017
Album · by Mon Laferte ↗ View artist

La trenza

The album La trenza by Mon Laferte arrived in April 2017 with a sound that blends Latin American-rooted genres: mariachi in the title track, cumbia in Amárrame —her collaboration with Juanes—, Andean folk in Pa’ dónde se fue and even a Peruvian waltz in Yo te qui. They recorded it between studios in Mexico and Chile, and from day one it proved to be more than just another album: in less than two weeks it had already earned a gold record in Mexico for 30,000 copies, and by June it reached platinum with 60,000. In her home country, Chile, it started with platinum after surpassing 20,000 sales, while the single Amárrame earned another platinum for 10,000 digital downloads. In the United States, it debuted at number 13 on Billboard’s Latin Pop Albums chart, confirming that this fusion of rhythms resonated far beyond borders.

Year
2017
Songs
1
Duration
3 min 50 seg
Listen to the album

About the album

La trenza, according to DoReSol

Before its release, Mon Laferte had already been testing songs live: Cielito de Abril —which had been featured in the film Loco cielo de Abril— and No te fumes mi mariguana, a track she herself described as a musical joke inspired by Lalo Guerrero’s Marihuana Boogie and designed for her show. But the album held even more personal surprises. The closing track, La trenza, was born from her grandmother’s words: according to an interview, the lyrics are literally the story of how her grandmother imagined her granddaughter’s life. Also notable was Pa’ dónde se fue, which she wrote in a single day and called one of her favorites because "it came easily," as if it had always been written. The collaborations didn’t fall short either: Enrique Bunbury in Mi buen amor and Manuel García in Cielito de Abril gave some tracks an unexpected twist, while Los Celestinos lent their voices to Yo te qui.

Five months after its release, in November 2017, the deluxe edition arrived with four new songs —Alelí with Caloncho, Vendaval, Palomita and Cuando era flor— and a DVD featuring live footage from her Amárrame Tour at Santiago’s Teatro Caupolicán. Those concerts, filmed for cinema screens in Mexico, closed the album’s chapter with a curious detail: Alelí was an updated version of the song already heard in the 2014 film. The album, in short, not only confirmed Mon Laferte as an artist capable of moving between genres without losing her essence, but also proved that sometimes the most authentic songs are the ones already there, waiting to be told.

Discography

More from Mon Laferte

See all →