Within this work, songs like Chega de saudade and Bim bom became flagships of this new sound. João Gilberto's singing style, with his particular phrasing and precise guitar execution, profoundly influenced subsequent generations of Brazilian musicians. The album, with its twelve tracks, presented a stylistic cohesion that made it unique, exploring nuances within this new musical language. The influence of this record was such that it is considered one of the most important works in the history of Brazilian music. Rolling Stone Brasil magazine highlighted it by including João Gilberto among the 30 Brazilian guitar and violon icons, and recognizing him as the second greatest Brazilian artist of all time, only behind Tom Jobim, who collaborated on the composition and arrangements of many of João Gilberto's hits.