Historia de taxi is one of those pieces that invite reflection, as is Señora de las cuatro décadas, which addresses a particular story in detail. Jesús verbo no sustantivo also stands out, showing the thematic and stylistic variety of the album. The most devoted followers of Arjona find in Animal Nocturno a fascinating window into his beginnings, a starting point that reveals a perspective closer to the everyday in many of his compositions. This fourth studio album by the Guatemalan artist, Animal Nocturno, was released at a time when the music industry was exploring new sounds. The production, under the direction of Ricardo Arjona, sought a sound that would resonate with an audience that appreciated narrative in songs.
The album, which includes 15 tracks, represents an interesting stage in the artist's discography, offering a look at the roots of his lyrical and musical style.