Los mareados

The interpretation of *Los mareados* by Mercedes Sosa is a moment that invites reflection, a piece that feels intimate and at the same time encompasses a universe of emotions. Its duration, barely a few minutes, condenses a melancholic and profound atmosphere, characteristic of her style. She, affectionately known as *La Negra Sosa*, defined herself not so much as a singer, but as a "cantora," a term that resonated with the essence of Latin American New Song, a movement of which she was a pioneer. This distinction was not minor; it implied a commitment to voice and message, an idea that Facundo Cabral expressed with the phrase "a singer is one who can, and a cantor is one who must." Born in San Miguel de Tucumán and passed away in Buenos Aires, Mercedes Sosa transcended borders, taking her voice through America, Europe, Israel, and East Asia.

Her legacy was built on iconic interpretations of songs like *Alfonsina y el mar* or *Gracias a la vida*, but she also explored genres such as tango, rock, and pop, demonstrating a versatility that enriched her work. Throughout her career, she released landmark albums, such as *Canciones con fundamento* (1965) or *Mujeres argentinas* (1969), and her participation in the *Misa criolla* in 2000 is another example of her artistic breadth.