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The story behind
Grippaggio, according to DoReSol
The song *Grippaggio* by Lucio Dalla, with a duration of 4 minutes and 7 seconds, emerges from a crucial moment in the singer-songwriter's career. Released in April 1973 as part of the album *Il giorno aveva cinque teste*, this work marks the beginning of a new creative phase. It was during this period that Dalla decided to change his lyrical collaborations, leaving behind authors like Sergio Bardotti and Gianfranco Baldazzi, who had been pillars in most of his compositions until then. Instead, he turned to the poet Roberto Roversi, a connection that would last for four years and shape three albums, including this one.
Lucio Dalla, born in Bologna in 1943 and passed away in Montreux in 2012, was a multifaceted artist who moved from his beginnings in the beat scene to sonic experimentation and singer-songwriter music. His musical training was nourished by jazz, and throughout his career, he explored the clarinet, saxophone, and keyboards. In his early steps, as a young clarinetist, he shared the stage with figures like Fabrizio Zampa and Massimo Catalano, under the guidance of maestro Carlo Loffredo. His vocal style, influenced by the power and dissonance of artists like James Brown, and his inclination for unexpected melodic variations, caught the attention of Gino Paoli, who encouraged him to pursue a solo career. The album *Il giorno aveva cinque teste*, along with later works such as *Anidride solforosa* and *Automobili*, became a turning point both in Dalla's career and in the history of Italian sung music.
From album
Il giorno aveva cinque teste
Lucio Dalla · 1973
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