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The story behind
Day Time Girl, according to DoReSol
When you dive into *Day Time Girl*, you encounter a piece that, while not a lead single from *Horizontal*, hides interesting details that enrich the listening experience. The album, released in early 1968, already showed an evolution in the Bee Gees' sound, exploring influences ranging from the Beatles to baroque pop. This song, in particular, integrates into that sonic quest, and understanding its place within the album's recording allows you to better appreciate the overall atmosphere the Gibb brothers sought to create.
The story behind *Horizontal* takes us to a key moment for the Bee Gees. After initial success in Australia with *Spicks and Specks*, they returned to the UK in January 1967. It was there that Robert Stigwood began to push them towards a wider audience. The album *Horizontal* was their second international release, and although it contained hits like *Massachusetts* and *World*, songs like *Day Time Girl* are part of that sonic tapestry built with diverse influences. The 2007 reissue by Reprise Records, which included stereo and mono mixes alongside unreleased material, gives us a more complete perspective on the recording sessions.
From album
Horizontal
Bee Gees · 1968
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