This week’s pick
Mercedes Sosa
Mercedes Sosa
La Negra · Latin American folklore
"She doesn't sing songs. She translates them. Mercedes's versions are the definitive form of every song she performs."
There are singers with technique. There are singers with presence. Mercedes Sosa had both and something more rare: the conviction that Latin American folklore was a political tool. Not to rally. To remember.
When she sang Gracias a la Vida at the Teatro Ópera de Buenos Aires in 1982 — just out of exile, shortly before the end of the dictatorship — the recording captures the silence of the audience. Each verse received as if the air weighed. That is not taught.
On DoReSol