Nicki Nicole

Recuerdos (2019) was her first album, but it already hinted she wouldn’t be just another artist in the crowd. Tracks like Años luz or Shorty proved she could play with simple yet effective structures, while Plegarias added a more introspective twist. Then came Parte de mí (2021), where the sound grew more emotional, almost as if she’d swapped the microphone for a notebook of notes. Collaborations with Rauw Alejandro and Dread Mar I gave her a fresh air, but without losing that essence that makes her instantly recognizable.

In 2023, Alma marked a turn toward experimentation, with collaborations ranging from Young Miko to Milo J. Songs like Ya no or Tienes mi alma showcased a more mature Nicki Nicole, less interested in following formulas and more focused on telling stories from within. Her Nicki Nicole abre su alma tour took her to fill the Movistar Arena in Buenos Aires, but also to stages in Morocco, Spain, and the United States, confirming that her music now knows no borders.

Naiki (2024) was the next step: a darker album, with collaborations with Duki and Khea, which divided opinions but made it clear she doesn’t like staying still. That same year, her name appeared on the list of nominees for the Grammy 2026 in the urban music category—a feat few Argentine artists have achieved. And in 2026, she brought her music to the Teatro Colón with a symphonic concert, something no one expected from a figure in Argentine trap. With guests like Cazzu, Jorge Drexler, and Milo J, she proved she can reinvent herself without losing what makes her unique: that ability to connect with the audience from the most personal place.