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🇪🇸 Spain · 1996-2020

Jarabe de Palo

Jarabe de Palo found their voice at the crossroads of rock, rumba, and a humor that doesn’t take itself too seriously. Their sound doesn’t feel formulaic; instead, it comes from someone who blends genres fearlessly, with lyrics that dance between the everyday and the poetic. The guitar of Pau Donés —leader, songwriter, and voice— carried that balance: catchy riffs that never fell into repetition, melodies that seemed simple until you realized they weren’t. La Flaca, their first hit, was born from a trip to Cuba where Pau heard something that inspired him to write a song that, years later, would sell millions of copies without anyone quite knowing why. The mystery of that early success lies in how the song sounds like a party and nostalgia at the same time, as if it had existed for years before being recorded.

Their debut album, La Flaca (1996), burst onto the market with a stroke of luck: a Spanish TV commercial turned it into a summer anthem in 1997. But Pau Donés wasn’t content to be a one-hit wonder. So in 1998, Depende arrived, produced by Joe Dworniak at London’s Moody Studios over two months. The album featured collaborations like Ketama and lyrics that, while keeping their irony, became more universal. In Italy, for example, the band found an audience that didn’t speak Spanish but hummed along to their songs. It wasn’t a coincidence: the mix of rhythms and the natural flow of the melodies made language cease to be a barrier.

598K Listeners/mo

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More about Jarabe de Palo

Biography

In 2001, De vuelta y vuelta marked a conceptual shift. The music video, where Pau Donés shaved his head, wasn’t just a change of look—it was a statement of intent. The album included collaborations with Antonio Vega, Jovanotti, and Celia Cruz, and though it wasn’t their most commercial work, it proved they could reinvent themselves. Three years later, Bonito (2003) returned to vitality, featuring Elena Andújar and Jovanotti on an album that sounded like pure celebration. But the project that took them to another level was Orquesta Reciclando (2009), a live book-album where they reimagined their most famous songs with a fresh twist. The success was so great that, that same year, they changed the band’s name to Jarabedepalo —all one word— and embarked on a tour that took them from Spain to Europe and the Americas.

Their final studio work, ¿Y ahora qué hacemos? (2011), brought them back to a rockier sound, with guests like Alejandro Sanz, Antonio Orozco, and Joaquín Sabina. The album was nominated for a Latin Grammy as Best Rock Album, adding to a dozen nominations they’d received throughout their career. But perhaps the most surprising move was their foray into Italy with Come un pittore (2012), a single with the band Modà that topped the charts and racked up over eight million YouTube views. Jarabe de Palo never set out to be a global phenomenon, yet they ended up playing stages where no one expected them—always with the same premise: music that sounds like home, even if you don’t know where you’re from.

Details

Nacimiento
1 ene 1996
País
🇪🇸 Spain
Género
latin rock

Record labels

Virgin Tronco