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Today! 1966
Album · by Mississippi John Hurt ↗ View artist

Today!

The album Today!, released in 1966 by Mississippi John Hurt, marks a milestone in his career and in folk and blues music. This work is his first with Vanguard Records and is part of a period of rebirth for the artist, following his rediscovery in 1963. The recording spans a variety of styles, from traditional blues to folk songs and African American spirituals, making it a rich work in nuances and sonic textures. The production, handled by Patrick Sky, was completed in 1964 and captures Hurt’s essence, whose voice, despite the years, remains warm and deep, resonating with authenticity.

Year
1966
Songs
12
Duration
43 min 51 seg

12 song|s

Song list

# Title Available
01

Pay Day

4:21
02

I’m Satisfied

2:56
03

Candy Man

2:57
04

Make Me a Pallet on Your Floor

4:35
05

Talking Casey

5:07
06

Corrinna, Corrinna

1:51
07

Coffee Blues

3:48
08

Louis Collins

4:09
09

Hot Time in the Old Town Tonight

3:33
10

If You Don’t Want Me, Baby

3:22
11

Spike Driver Blues

3:28
12

Beulah Land

3:44

About the album

Today!, according to DoReSol

Among the most notable tracks on Today! are "Pay Day", "Candy Man", and "Make Me a Pallet on Your Floor", each with its own story and connection to the roots of the blues. Hurt’s performance stands out for his guitar technique, which flows naturally, and his ability to tell stories through his music. David Freedlander of Allmusic highlights how the album reflects Hurt’s experience, who, despite the passage of time, has not lost his essence as a performer. His voice, together with his guitar, creates a unique atmosphere that makes this record a fundamental piece within the folk revival of the era.

The impact of Today! extended beyond its release, as in 2009 it was included in the National Recording Registry of the U.S. Library of Congress, a recognition of its cultural and musical significance. This album not only revitalized Hurt’s career but also introduced him to new generations of listeners, solidifying his place in the history of American music.