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Rust in Peace 1990
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Rust in Peace

When you dive into Rust in Peace, you are faced with the fourth studio album by Megadeth, released in 1990. This album marked a turning point, not only for its powerful and complex sound, but also because it was the first to feature the lineup that many consider classic: the arrival of guitarist Marty Friedman and drummer Nick Menza. The recording took place at Rumbo Recorders studios, in Canoga Park, California, under the production of Mike Clink, who already had experience with bands like Guns N' Roses. The title, Rust in Peace, originated from a phrase Dave Mustaine saw on a car sticker, playing with the idea of nuclear weapons becoming obsolete and rusting.

Year
1990
Songs
9
Duration
45 min 5 seg
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About the album

Rust in Peace, according to DoReSol

The album presents a musical structure that leans towards technical and progressive thrash metal. Songs like "Hangar 18" and "Holy Wars... The Punishment Due" stand out not only for their complexity but also because they were released as singles and accompanied by music videos. "Hangar 18", in particular, received a "Top Radio Cut" award at the 1991 Foundations Forum, while the album itself was recognized as "Top Radio Album". The lyrical themes address issues such as war, nuclear weapons, and the environment, with specific references like in "Rust in Peace... Polaris", which alludes to intercontinental ballistic missiles, or "Holy Wars... The Punishment Due", which fuses war and the figure of the Marvel Comics character, The Punisher.

The gestation of Rust in Peace was marked by significant changes in the band. After a series of internal problems and the departure of previous members, Dave Mustaine dedicated himself to finding new members. In the search for a guitarist, he considered musicians like Dimebag Darrell and Jeff Waters, and even approached former member Chris Poland. Finally, after hearing Marty Friedman's work in his project Dragon's Kiss, Mustaine called him for an audition, which resulted in his joining the band. The album's recording had its peculiarities, as Mustaine was absent during the first half due to a rehabilitation program, leaving Clink in charge of the bass, drums, and Friedman's guitar parts. Later, Micajah Ryan was responsible for finalizing the guitar and vocal parts with Mustaine. In 2004, the album was re-released with a remixed and remastered version, including four additional tracks.

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