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Como dizia o poeta 1971
Album · by Vinícius de Moraes ↗ View artist

Como dizia o poeta

As the poet used to say arrived in 1971 as an album that condensed the best of Vinícius de Moraes: that blend of pure poetry and music that only he could achieve. It wasn’t just another bossa nova album, but a bridge between Brazilian rhythm and jazz, with lyrics that sounded like an intimate conversation between the poet and his audience. Recorded in Rio, the sound breathes that nighttime bar atmosphere, where each song seems written over the warmth of a glass of whisky and an acoustic guitar. What surprises most is how Vinícius managed to turn his verses—full of melancholy and humor—into melodies anyone could hum the next day.

Year
1971
Songs
12
Duration
33 min 29 seg

12 song|s

Song list

# Title Available
01

Tarde em Itapoan

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4:07
02

Como dizia o poeta

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3:15
03

Tomara

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2:12
04

Valsa para o ausente

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1:50
05

Samba de Gesse

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2:38
06

A tonga da mironga do kabuletê

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4:01
07

A bênção, Bahia!

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3:05
08

Mais um adeus

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3:34
09

A vez do Dombe

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1:43
10

O grande apêlo

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1:29
11

Samba da Rosa

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2:40
12

Melancia e côco verde

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2:55

About the album

Como dizia o poeta, according to DoReSol

Two tracks from the tracklist are key to understanding its essence. "Tarde em Itapoan" captures that saudade that only Brazilians understand: a rhythm that moves forward like the sun over the beach, with lyrics that feel like they were scribbled on a bar napkin. "Como dizia o poeta," on the other hand, is a play on words where Vinícius himself becomes a character, reciting verses that sound like absolute truth. It’s no coincidence that both songs have been covered by artists like Frank Sinatra and Pierre Barouh: their simple yet profound structure makes them universal.

What’s curious is that this album wasn’t aiming for perfection. Vinícius preferred to record with whatever he had on hand, as if each take were an improvised chat. That explains why his voice—hoarse and warm—sounds more like a friend than a professional singer. The result is an album that doesn’t age: it remains fresh because it never pretended to be anything more than an inspired moment between poet and musician.

Discography

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